Literature, Medieval -- History and criticism; Literature, Medieval -- Translations into English
The earliest and greatest portion of this literature is the
heroic poetry forming the collection called the Poetic or Elder
Edda. Like all early poetry these were minstrel poems, passing
orally from singer (skald) to singer for centuries. Some of them
were composed as early as the eighth century. The collection was
probably made in the thirteenth century (1240). The collection
consists of thirty-nine distinct songs or poems. They are based
upon common Norse mythology and tradition. In one section of this
collection is found in outline the story of the Nibelungs and
Brunhild-the story which later formed the basis of the
"Niebelungen-Lied". This fact connects the two literatures with
the original common Teutonic traditions. Anderson says, "The
Elder Edda presents the Norse cosmogony, the doctrines of the
Odinic mythology, and the lives and doings of the gods. It
contains also a cycle of poems on the demigods and mythic heroes
and heroines of the same period. It gives us as complete a view
of the mythological world of the North as Homer and Hesiod do of
that of Greece" (Norse Mythology). Almost equal in importance
and interest is the Prose Edda, sometimes called the Younger
Edda, arranged and in part written by Snorra Sturleson, who lived
from 1178 to 1241. The chief portions of it are:
1. "Gylfaginning," in which Odin recounts to Gylf the history of
the gods.
2. "Bragaraethur, the conversations of Braga the god of poetry.
Other and less important varieties of Scandinavian literature are
the romances of history and romances of pure fiction.
VOLUSPA. THE ORACLE OF THE PROPHETESS VALA.
The Voluspa is the first song in the Elder Edda. It is a song of
a prophetess and gives an account of the creation of the world,
of man, giants, and dwarfs; of the employments of fairies or
destinies; of the functions of the gods, their adventures, their
quarrels, and the vengeance they take; of the final state of the
universe and its dissolution; of the battle of the lower deities
and the evil beings; of the renovation of the world; of the happy
lot of the good, and the punishment of the wicked. The first
passage selected gives the account of creation.
In early times,
When Ymer[1] lived,
Was sand, nor sea,
Nor cooling wave;
No earth was found,
Nor heaven above;
One chaos all,
And nowhere grass:
Until Bor's[2] sons
Th' expanse did raise,
By whom Midgard [3]
The great was made.
From th' south the sun
Shone on the walls;
Then did the earth
Green herbs produce.
The sun turned south;
The moon did shine;
Her right hand held
The horse of heaven.
The sun knew not
His proper sphere;
The stars knew not
Their proper place;
The moon know not
Her proper power.
Then all the powers
Went to the throne,
The holy gods,
And held consult:
Night and cock-crowing
Their names they gave,
Morning also,
And noon-day tide,
And afternoon,
The years to tell.
Public-domain text, read in full here on John Shaqi.
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