Around the loop the elevated crawls,
And giant shadows sink against the walls
Where ten to twenty stories strive to hold
The pale refraction of the sunset's gold.
Slop underfoot, we pass beneath the loop.
The crowd is uglier, poorer; there are smells
As from the depths of unsuspected hells,
And from a groggery where beer and soup
Are sold for five cents to the thieves and bums.
Here now are huge cartoons in red and blue
Of obese women and of skeleton men,
Egyptian dancers, twined with monstrous snakes,
Before the door a turbaned lithe Hindoo,
A bagpipe shrilling, underneath a den
Of opium, whence a man with hand that shakes,
Rolling a cigarette, so palely comes.
The clang of car bells and the beat of drums.
Draft horses clamping with their steel-shod hoofs.
The buildings have grown small and black and worn;
The sky is more beholden; o'er the roofs
A flock of pigeons soars; with dresses torn
And yellow faces, labor women pass
Some Chinese gabbling; and there, buying fruit,
Stands a fair girl who is a late recruit
To those poor women slain each year by lust.
'Tis evening now and trade will soon begin.
The family entrance beckons for a glass
Of hopeful mockery, the piano's din
Into the street with sounds of rasping wires
Filters, and near a pawner's window shows
Pistols, accordions; and, luring buyers,
A Jew stands mumbling to the passer-by
Of jewelry and watches and old clothes.
A limousine gleams quickly--with a cry
A legless man fastened upon a board
With casters 'neath it by a sudden shove
Darts out of danger. And upon the corner
A lassie tells a man that God is love,
Holding a tambourine with its copper hoard
To be augmented by the drunken scorner.
A woman with no eyeballs in her sockets
Plays "Rock of Ages" on a wheezy organ.
A newsboy with cold hands thrust in his pockets
Cries, "All about the will of Pierpont Morgan!"
The roofline of the street now sinks and dwindles.
The windows are begrimed with dust and beer.
A child half clothed, with legs as thin as spindles,
Carries a basket with some bits of coal.
Between lace curtains eyes of yellow leer,
The cheeks splotched with white places like the skin
Inside an eggshell--destitute of soul.
One sees a brass lamp oozing kerosene
Upon a stand whereon her elbows lean;
Lighted, it soon will welcome negroes in.
Public-domain text, read in full here on John Shaqi.
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