All things are memory now with you,
For poverty girds
Your hopes, and only your dreams remain.
And sometimes here and there
I see as you turn your head a whitened hair,
Even when you are smiling most.
And a light comes in your eyes like a passing ghost,
And a color runs through your cheeks as fresh
As burns in a girl's flesh.
Then I can shut my eyes and feel the pain
That has become a part of you, though I feign
Laughter myself. One sees another's bruise
And shakes his thought out of it shuddering.
So I turn and clamp my will lest I bring
Your sorrow into my flesh, who cannot choose
But hear your words and laughter,
And watch your hands and eyes.
Then as I think you over after
I have gone from you, and your face
Comes to me with its grace
Of memory of unfound love:
You seem to me the image of all women
Who dream and keep under smiles the grief thereof,
Or sew, or sit by windows, or read books
To hide their Secret's looks.
And after a time go out of life and leave
No uttered words but in their silence grieve
For Life and for the things no tongue can tell:
Why Life hurts so, and why Love haunts and hurts
Poor men and women in this demi-hell.
Perhaps your pathos means that it is well
Death in his time the aspiring torch inverts,
And all tired flesh and haunted eyes and hands
Moving in painéd whiteness are put under
The soothing earth to brighten April's wonder.
IN THE CAGE
The sounds of mid-night trickle into the roar
Of morning over the water growing blue.
At ten o'clock the August sunbeams pour
A blinding flood on Michigan Avenue.
But yet the half-drawn shades of bottle green
Leave the recesses of the room
With misty auras drawn around their gloom
Where things lie undistinguished, scarcely seen.
You, standing between the window and the bed
Are edged with rainbow colors. And I lie
Drowsy with quizzical half-open eye
Musing upon the contour of your head,
Watching you comb your hair,
Clothed in a corset waist and skirt of silk,
Tied with white braid above your slender hips
Which reaches to your knees and makes your bare
And delicate legs by contrast white as milk.
And as you toss your head to comb its tresses
They flash upon me like long strips of sand
Between a moonlit sea, pale as your hand,
And a red sun that on a high dune stresses
Its sanguine heat.
And then at times your lips,
Protruding half unconscious half in scorn
Engage my eyes while looking through the morn
At the clear oval of your brow brought full
Over the sovereign largeness of your eyes;
Or at your breasts that shake not as you pull
The comb through stubborn tangles, only rise
Scarcely perceptible with breath or signs,
Firm unmaternal like a young Bacchante's,
Or at your nose profoundly dipped like Dante's
Over your chin that softly melts away.
Public-domain text, read in full here on John Shaqi.
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