Songs of the Sea and Lays of the LandLeland, Charles Godfrey
General
Songs of the Sea and Lays of the Land
Leland, Charles Godfrey
Sea poetry
S O N G S O F T H E S E A
AND
L A Y S O F T H E L A N D
SONGS OF THE SEA
AND
LAYS OF THE LAND
BY
CHARLES GODFREY LELAND
LONDON
ADAM AND CHARLES BLACK
1895
PREFACE
Among the songs in this collection are the Brand New Ballads already
known more or less to the public, several of them having an American
newspaper circulation, while a few are given at times in public
readings; since I have learned, for example, that “In Nevada” was one of
the stock-pieces of Mr. Clifford Harrison. They now reappear amended and
with additions.
In the “Songs of the Sea” the reader will not fail to observe that three
or four, such as the “Mermaid” and “Time for Us to Go,” are not by me at
all. They are sailors’ songs of the olden time, introduced as
suggestions for other lyrics, as I have indeed declared in the text, and
also to aid in the main purpose or idea which inspires the whole
collection—they being in this respect like stones from more ancient
edifices built into new houses, as was the wont of men in the middle
age.
This main purpose was to set forth with scrupulous care, as of a statue
photographed from many sides, the mariner of the sailing—not
steaming—ship, who is now rapidly passing away, although some tens of
thousands of the species are still to be found in the remoter routes of
travel. This kind of man should be interesting, because he is almost the
only one who is drawn into his calling by a desire to rove about the
world and lead an adventurous, reckless, manly life. Into this life
entered, I may say, as “vitalising elements,” “shipwrecks and disasters
of the sea,” the extremes of discipline and dissipation, as well as
those of cynical scepticism and superstition, the seeing, like Ulysses,
cities and men, and the consciousness, so clear to undeveloped minds and
smaller natures, of belonging to a “peculiar” class. This I have borne
in mind most earnestly, and those who perceive it will also find that in
this spirit the following notes and sketches in song illustrate, I trust
accurately, a consistent ideal text, and that all the songs unite to
form a single poem.
Public-domain text, read in full here on John Shaqi.
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