What I have above written of the “Songs of the Sea” is equally true of the other ballads in this volume. They also form a series of eccentric pictures of American life after the war, brought together, not like chance pictures in a scrap-book, but as I before said, to carry out one idea in reference to a special subject. In this spirit and to this end were they written, from current prose tales. Nor have I ever forgotten that there is in them for the future a kind of folk-lore which is never so apparent to those who live in it as to those who inherit it. When I was a small boy, there was in my aunt’s kitchen in Milford, Massachusetts, a cheese-knife, which had no special interest to anybody save to me, because it had been the very sword carried by General Eaton in his famous march over the Desert to attack Algiers. Nowadays it would be greatly prized. So it is sometimes worth while to think of these things which we now possess, and how rapidly they are hastening to become curiosities—I myself having lived to see every object familiar to me in youth become bric-à-brac. In the last age, everything not in the newest fashion was despised—in this there is a highly-cultured class just beginning to show itself beyond the Realists and disciples of Mental-analytical Chemistry, who look alternately at the Past and Future, Even as Janus on the Capitol Saw all that was or ever yet would be. There may be a few among the jealous guardians or spokes around the Hub who may demand by what right I invade the sacred precincts of Boston, and sing about its past. Well, my boyhood was half passed in Boston or near it; there the romance of sailor life, which was marvellous in those times, imbued me, and then and there in common with my mates I devoured the _Mariners’ Chronicle_, _Shipwrecks and Disasters of the Sea_, _Lives of the Buccaneers_, and listened with avidity to the tales of those who had been on the briny deep. Nearly all my first-cousins had at one time or other run away and gone to sea or taken long voyages. Among the former were Benjamin Stimson, the “S” of _Two Years Before the Mast_; Charles Leland, who afterwards grew like Samuel Jackson to the height of seven feet; and Samuel Godfrey. From these and many more I learned an incredible number of sea stories and songs, none of which I ever forgot, being to an extraordinary degree accustomed to keep repeating to myself these “stranger legends of the olden time.” Hence it comes that I have in my mind such vivid memories of the old North End of Boston.