Songs of the Silent World, and Other Poems — John Shaqi
Songs of the Silent World, and Other PoemsPhelps, Elizabeth Stuart
General
Songs of the Silent World, and Other Poems
Phelps, Elizabeth Stuart
Poetry
I listened in hell! I listened in hell!
Down in the dark I heard your soul
Singing mine out to the holy sun.
Deep in the dark I heard your feet
Ringing the way of Love in hell.
Into the flame you strode and stood.
Out of the flame you bore me well,
As I listened in hell.
IV.
I listen in hell! I listen in hell!
Who trod the fire? Where was the scorch?
Clutched, clasped, and saved, what a tale was to tell
----Heaven come down to hell!
Oh, like a spirit you strove for my sake!
Oh, like a man you looked back for your own!
Back, though you loved me heavenly well,
Back, though you lost me. The gods did decree,
And I listen in hell.
ELAINE AND ELAINE.
I.
Dead, she drifted to his feet.
Tell us, Love, is Death so sweet?
Oh! the river floweth deep.
Fathoms deeper is her sleep.
Oh! the current driveth strong.
Wilder tides drive souls along.
Drifting, though he loved her not,
To the heart of Launcelot,
Let her pass; it is her place.
Death hath given her this grace.
Let her pass; she resteth well.
What her dreams are, who can tell?
Mute the steersman; why, if he
Speaketh not a word, should we?
II.
Dead, she drifteth to his feet.
Close, her eyes keep secrets sweet.
Living, he had loved her well.
High as Heaven and deep as Hell.
Yet that voyage she stayeth not.
Wait you for her, Launcelot?
Oh! the river floweth fast.
Who is justified at last?
Locked her lips are. Hush! If she
Sayeth nothing, how should we?
III.
THE POET AND THE POEM.
Upon the city called the Friends'
The light of waking spring
Fell vivid as the shadow thrown
Far from the gleaming wing
Of a great golden bird, that fled
Before us loitering.
In hours before the spring, how light
The pulse of heaviest feet!
And quick the slowest hopes to stir
To measures fine and fleet.
And warm will grow the bitterest heart
To shelter fancies sweet.
Securely looks the city down
On her own fret and toil;
She hides a heart of perfect peace
Behind her veins' turmoil--
A breathing-space removed apart
From out their stir and soil.
Our reverent feet that golden day
Stood in a quiet place,
That held repressed--I know not what
Of such a poignant grace
As falls, if dumb with life untold,
Upon a human face.
To fashion silence into words
The softest, teach me how!
I know the place is Silence caught
A-dreaming, then and now.
I only know 't was blue above,
And it was green below.
And where the deepening sunshine found
And held a holy mood,
Lowly and old, of outline quaint,
In mingled brick and wood,
Clasped in the arms of ivy vines
A nestling cottage stood:
A thing so hidden and so fair,
So pure that it would seem
Hewn out of nothing earthlier
Than a young poet's dream,
Of nothing sadder than the lights
That through the ivies gleam.
Public-domain text, read in full here on John Shaqi.
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