Songs of the West: Folk Songs of Devon & Cornwall Collected from the Mouths of the PeopleBaring-Gould, S. (Sabine)
General
Songs of the West: Folk Songs of Devon & Cornwall Collected from the Mouths of the People
Baring-Gould, S. (Sabine)
Ballads, English; Folk songs, English
One evening in 1888, I was dining with the late Mr. Daniel Radford,
of Mount Tavy, when the conversation turned to old Devonshire songs.
Some of those present knew "Widdecombe Fair," others remembered
"Arscott of Tetcott"; and all had heard many and various songs sung
at Hunt-suppers, at harvest and sheep-shearing feasts. My host turned
to me and said: "It is a sad thing that our folk-music should perish.
I wish you would set to work and collect it--gather up the fragments
that remain before all is lost!"
I undertook the task. I found that it was of little use going to most
farmers and yeoman. They sang the compositions of Hooke, Hudson, and
Dibden. But I learned that there were two notable old singing men
at South Brent, and I was aware that there was one moorland singing
farmer at Belstone, I was informed of this by J.D. Prickman, Esq., of
Okehampton. This man, Harry Westaway, knew many old songs. Moreover,
in my own neighbourhood was a totally illiterate hedger, in fact, he
could neither read nor write. He enjoyed no little local celebrity
as a song-man. His name was James Parsons, aged seventy-four, and
a son of a still more famous singer called "The Singing-machine,"
and grandson of another of the same fame. In fact, the profession
of song-man was hereditary in the family. At every country
entertainment, in olden times, at the public-house almost nightly,
for more than a century, one of these men of the Parsons' family had
not failed to attend, to sing as required for the entertainment of
the company. The _repertoire_ of the grandfather had descended to
old James. For how many generations before him the profession had
been followed I could not learn. James Parsons' ballad tunes were
of an early and archaic character. In fact, with few exceptions his
melodies were in the Gregorian modes. At one time Parsons and a man
named Voysey were working on the fringe of Dartmoor, and met in
the evening at the moorland tavern. Parsons boasted of the number
of songs he knew, and Voysey promised to give him a glass of ale
for every fresh one he sang. Parsons started with "The Outlandish
Knight," one song streamed forth after another, one glass after
another was emptied, and these men sat up the whole night, till
the sun rose, and the song-man's store was not then exhausted, but
Voysey's pocket was. I could hardly credit this tale when told me, so
I questioned Voysey, who had worked for my father and was working for
me. He laughed and confirmed the tale. "I ought to remember it," he
said, "for he cleared me clean out."
Many a pleasant evening have I spent with old Parsons, he in the
settle, sitting over the hall fire, I taking down the words of his
ballads, Mr. Sheppard or Mr. Bussell noting down his melodies.
Public-domain text, read in full here on John Shaqi.
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