Sonnie-Boy's PeopleConnolly, James B. (James Brendan)
General
Sonnie-Boy's People
Connolly, James B. (James Brendan)
Sea stories; Short stories, American
"Since those first days, Marie, when your brother and I bunked together
in the old S.$1.$2.construction camp. He used to read me letters of
yours from home. You were only a little girl then, and it was years
before I saw you; but I knew what you looked like even before I stole
your photograph----"
"Stole?"
"I did. Greg dropped it one day. I found it and never gave it back.
There it is--after nine years."
She laughed when she saw it. "Why, I can't make out to see what I looked
like then, Andie!"
"I know what you looked like. I've kissed the face away, dear, but I
know. In nine years, Marie, I never shifted from one coat to another
without shifting your photograph, too. If anything had happened to me,
they would have found your photograph on me, with your address on the
back. 'Then,' I used to say to myself, 'she'll know. And Greg won't mind
my stealing it.'" He laid it face up between them on the table. "The
miles you've travelled with me, dear heart, and never knew! Back in the
days of the construction camp they used to find sketches of a girl's
head in my note-books, a beautiful head badly done--drawn from that
photograph. But after I met you----"
"And after you met me, Andie?"
"Then I needed no photograph, though look and look at it I surely did.
Steamers in western seas, battle-ships in eastern waters, balustrades of
palaces--wherever it might be I was whirling with this old earth
around, I've had your face to look at. And when I couldn't see for the
darkness--rolled up in my rubber poncho, in no more romantic a place
than the muck of a swamp, I've looked up through the swaying
branches--or in the lee of a windy hill, it might be, with no more to
hinder than the clear air, I've looked up and marked your face in the
swirling clouds: your nose, your chin, the lips so shyly smiling. And if
through the clouds a pair of stars would break, I'd mark them for your
shining eyes, Marie."
"Poetry again, Andie!" She was laughing, but also she was melting under
his eyes.
"If that's poetry, then I'm losing respect for it. It's a weak thing,
Marie, and----"
"Sh-h--if somebody should be walking on the beach!"
"Let them, sweetheart. It's a fine night for a walk. What harm is
truth?"
"But I don't want all the world to hear, Andie. For my poor heart was
aching, too, Andie, and now it wants it all to itself, Andie mine."
* * * * *
It was taps on the battle-fleet. Over the mellowing, detaining waters of
the bay the long-drawn bugles echoed. Good night, good ni-i-ght,
g-o-o-d-n-i-g-h-t--they said, and gently, softly, whisperingly died
away.
"He's asleep at last." Welkie was standing in the door. "And I don't
know but we'd all better be getting to sleep, too. For to-morrow
morning, you know, we--Wha-at!"
His friend was standing before him. "Shunt care for the morrow, Greg.
Greater things than have happened are happening around you. The dream of
years has come to pass. And we--we, Greg----"
Public-domain text, read in full here on John Shaqi.
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