Mystery fiction; Race relations -- Fiction; Southern States -- Fiction
The young man, dumfounded, turned over the single sheet of paper that
contained the whole message, examined again the envelope, read and
reread the communication, and finally laid it aside. Not one word of
explanation of his own (Edward's) existence no claim of relationship, no
message of sympathy, only the curt voice of an eccentric old man,
echoing beyond the black wall of mystery and already sunk into eternal
silence. The old life no longer seemed dear or beautiful. It returned
upon him with the dull weight of oppression he had known so long. It was
a bitter ending, a crushing, overwhelming disappointment.
He smiled at length and lighted another cigar. His mind reverted to the
singular character whose final expression lay upon the desk. His last
act had been to guard against the curious, and that had included the
beneficiary. He had succeeded in living a mystery, in dying a mystery,
and in covering up his past with a mystery.
"It was well done." Such was Edward's reflection spoken aloud. He
recalled the lines: "I now, assured of your character in every
particular." Every word in that laconic letter, as also every word in
the few communications made to him in life by this man, meant something.
What did these mean? "Assured" by whom? Who had spied upon his actions
and kept watch over him to such an extent as would justify the sweeping
confidences? But he knew that the testator had read him right. A faint
wave of pleasure flushed his cheek and warmed his heart when he realized
the full significance of this tribute to his true character. He no
longer felt like an intruder.
And yet, "assured" by whom? And who was Gerald Morgan? Not a relative or
he would have said so; he would have said "my nephew, Gerald Morgan."
The same argument shut him (Edward) out. Why this suspicious absence of
relationship terms?--and they, both of them, Morgans and heirs to his
wealth?
Again he dragged the papers from the desk and ran them over. Manuscripts
all, they contained detached accounts of widely separated people and
incidents, and moreover they were clearly briefed. "A Dramatic Trail,"
"The Storm," "A Midnight Struggle," etc. They had no bearing upon his
life; they were the unpublished literary remains of John Morgan.
Every paper lay exposed; the mine was exhausted. He again read the
letter slowly, idly lifted each paper and returned all to the desk.
The cigar was out again; he tossed it from the window, locked the desk
and passed into the mother's room. The action was without forethought,
but his new philosophy had taught him the value of instinctive human
actions as index fingers. What cause then had drawn him into that
long-deserted room? As he reflected, his eyes rested upon the picture of
the girl in the little frame on the mantel. He started back, amazed and
overwhelmed. It was the face that had been turned to him in the
library--the face of Gerald Morgan!
Public-domain text, read in full here on John Shaqi.
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