Sons of fire, Vol. I.Braddon, M. E. (Mary Elizabeth)
General
Sons of fire, Vol. I.
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
The blue pure sky, the perfume of a bean-field in flower, the hawthorns
in undulating masses of snowy blossom, and here and there, in the
angles of the meadows, the heaped-up gold of furze-bushes that were
more bloom than bush--all these made life to-day a sensuous delight
which exacted no questionings of the intellect, suggested no doubt as
to the bliss of living. If it were always thus--a crust of bread and
cheese under such a sky, a bed in the hollow of yonder bank between
bean-field and clover, would suffice for a man's content, Allan
thought, as he stood on a knoll in God's acre, and looked down upon
the meadows that rose and fell over ridge and hollow with gentle
undulations between Filbury and Discombe.
What had become of Mrs. Wornock? He had made the circuit of the
burial-ground, pausing often to read an epitaph, but never relaxing
his watchfulness of the carriage yonder, waiting under the limes. The
carriage was there still, and there was no sign of Mrs. Wornock. Was
there a celebration? No; he had seen all the congregation leave the
church, except the mistress of that curtained pew in the corner near
the pulpit.
Presently the broad strong chords of a prelude were poured out upon the
still air--a prelude by Sebastian Bach, masterful, imposing, followed
by a fugue, whose delicate intricacies were exquisitely rendered by
the player. Standing in the sunshine listening to that music, Allan
remembered what Mrs. Mornington had told him. The player was Mrs.
Wornock. He had seen the professional organist and schoolmaster leave
the church with his flock of village boys. Mrs. Wornock had lingered
after the service to gratify herself with the music she loved. He
sauntered and loitered near the open window, listening to the music
for nearly an hour. Then the organ sounds melted away in one last long
rallentando, and presently he heard the heavy old key turn in the
heavy old lock, and the lady in grey came slowly along the path to the
lych-gate, followed by a clumsy boy, who looked like a smaller edition
of the blacksmith. Allan stood within a few yards of the pathway to
see her go by, hoping to be himself unobserved, screened by the angle
of an old monument, where rust had eaten away the railing, and moss
and lichen had encrusted the pompous Latin epitaph, while the dense
growth of ivy had muffled the funeral urn. Here, in the shadow of
ostentation's unenduring monument, he waited for that slender and still
youthful form to pass.
In figure the widow of twenty years looked a girl, and the face which
turned quickly towards Allan, her keen ear having caught the rustle
of the long grass under his tread, had the delicacy of outline and
transparency of youth. The cheek had lost its girlish roundness, and
the large grey eye was somewhat sunken beneath the thoughtful brow.
Involuntarily Allan recalled a familiar line--
"Thy cheek is pale with thought and not with care."
Public-domain text, read in full here on John Shaqi.
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