Sons of fire, Vol. II.Braddon, M. E. (Mary Elizabeth)
General
Sons of fire, Vol. II.
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
"He is handsomer than I am," mused Allan, in one of his despondent
moods. "He has a gayer temper--Suzette's own temper--which sees all
things in the happiest light. I sit and watch them, listen to them,
and feel myself worlds away from them both; and yet if she were free
to-morrow he could never love her as I love her. There, at least, I am
the superior. He has no such power of concentration as I have. To his
frivolous nature no woman could ever be all in all."
These despondent moods were luckily not of long duration. On Suzette's
part there had not been the faintest sign of wavering; and Allan felt
ashamed of the jealous fears which fell ever and anon like a black
cloud across the sunny prospect of his life. However valiantly he might
struggle against that lurking jealousy, there were occasions upon which
he could not master it, and his darkest hours were those during which
he sat in the music-room at Discombe, and heard Suzette and Geoffrey
playing concertante duets for violin and piano. It seemed to him as the
violinist bent over the pretty dark head, to turn a leaf, or to explain
a passage in the piano score, that for these two there was a language
which he knew not, a language in which mind spoke to mind, and perhaps
heart to heart. Who could keep the heart altogether out of the question
when that most eloquent of all languages was making its impassioned
appeal? Every long-drawn legato chord upon the Strad, every delicate
diminuendo of the sighing strings, the tremulous bow so lightly held in
the long lissom fingers, sounded like an avowal.
"I love you, I love you, I love you," sobbed the violin; "how can
you care for that dumb brute yonder, while I am telling my love in
heavenliest sounds, in strains that thrill along every nerve, and
tremble at the door of your heart? How can you care for that dumb dog,
or care how you hurt him by your inconstancy?"
Possessed by these evil fancies, Allan started up from his seat in
a remote window, and began to pace the room in the midst of a de
Beriot sonata, to which Suzette had been promoted after a good deal of
practice in less brilliant music.
"What's the matter, old fellow?" asked Geoffrey, noting that impatient
promenade; "was I out of tune?"
"No, you were only too much in tune."
"How do you mean? I don't understand----"
"Is it likely you can understand me--or I you?" cried Allan,
impetuously. "You have a language which I have not, a sense which
is lacking in me. You and Suzette are in a paradise whose gate I
can't open. Don't think me an envious, churlish kind of fellow, if I
sometimes grudge you your happiness."
"But, my dear Allan, you are fond of music--you like listening----"
"No, I don't. I have had too much listening, too much of being out of
it. Put on your hat, Suzette, and come for a walk. I am tired to death
of your de Beriot."
Public-domain text, read in full here on John Shaqi.
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