Sons of fire, Vol. II.Braddon, M. E. (Mary Elizabeth)
General
Sons of fire, Vol. II.
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
"Although I knew my mother's strong character, I was infatuated enough
to believe what I said. Where was the heart so stony that would not
warm to that fair and gentle creature? Where the pride so stubborn
which that tender influence could not bend?
"I had the banns put up at the church of St. George the Martyr, assured
that Martha's rheumatism and Benjamin's lethargic temper would prevent
either of them attending the morning service on any of the three
fateful Sundays. If Martha went to church at all, she crept there in
the evening, after tea. She liked the gaslights and the evening warmth,
the short prayers, and the long sermon, and she met her own class among
the congregation. I felt tolerably safe about the banns.
"Had my mother been in good health, it would have been difficult for
me to spend so many of my evenings away from home; but the neuralgic
affection which had troubled her in Suffolk had not been subjugated by
the great Dr. Gull's treatment, and she passed a good deal of her life
in her own rooms and in semi-darkness, ministered to by a lady who had
been a member of our household ever since my father's death, and whose
presence had been the only drawback to my home happiness.
"This lady was my mother's governess--Miss Marjorum--a woman of
considerable brain power, wide knowledge of English and German
literature, and a style of pianoforte playing which always had the
effect of cold water down my back. And yet Miss Marjorum played
correctly. She introduced no discords into that hard, dry music,
which seemed to me to have been written expressly for her hard and
precise finger-tips, bony knuckles, and broad, strong hand, with a
thumb which she boasted of as resembling Thalberg's. In a difficult
and complicated movement Miss Marjorum's thumb worked wonders. It was
ubiquitous; it turned under and over, and rapped out sharp staccato
notes in the midst of presto runs, or held rigid semibreves while the
active fingers fired volleys of chords, shrilled out a six-bar shake,
or raced the bass with lightning triplets. In whatever entanglement
of florid ornament Liszt or Thalberg had disguised a melody, Miss
Marjorum's thumb could search it out and drum it into her auditors.
"Miss Marjorum was on the wrong side of fifty. She had a squat figure
and a masculine countenance, and her voice was deep and strong, like
the voice of a man. She dressed with a studious sobriety in dark cloth
or in grey alpaca, according to the seasons, and in the evening she
generally wore plaid poplin, which ruled her square, squat figure into
smaller squares. I have observed an affinity between plain people and
plaid poplin.
Public-domain text, read in full here on John Shaqi.
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