Sons of fire, Vol. III.Braddon, M. E. (Mary Elizabeth)
General
Sons of fire, Vol. III.
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
Never a word said Geoffrey or Allan of that one woman whose image
filled the minds of both. They talked of other people freely enough.
Each spoke of his mother tenderly, regretfully even, Allan taking
comfort from the thought of Lady Emily's delight in her farm, the
occupation and interest which every change of the seasons brought
for her. Such letters as had reached him on his wanderings had been
resigned and uncomplaining, although dwelling sorrowfully upon the
husband she had lost.
"He used to live so much apart, shut in his library day after day,
and only joining me in the evening, that I could hardly have believed
my life could seem so empty without him. But I know now how much his
presence in the house--even his silent, unseen presence--meant for
me; and I realize now how often I used to go to him, interrupting his
dreamy life with my petty household questions, my little bits of news
from the farmyard or the cow-houses, or the garden. He was so kind
and sympathetic. He would look up from his books to interest himself
in some story about my Brahmas or my Cochins, and if he was bored, he
never allowed me to see the faintest sign of impatience. I think he was
the best and truest man that ever lived. And my Allan is like him. May
God protect and bless my dearest, my only dear, in all the perils of
the desert!"
Lady Emily's mental picture of Africa represented one far-reaching
waste of level sand, a desert flatness incompatible with a spherical
earth, pervaded by camels, and occasionally varied by a mirage. A
pair of pyramids--like tall candlesticks at the end of a board-room
table--a sphinx and a crocodily river occupied the north-east corner of
this vast plateau, while the south-west was distinguished by a colony
of ostriches, and the place to which Indian officials used to resort
for change of air some fifty years since. To these narrow limits were
restricted Lady Emily's notions of the continent on which her son
was now a wanderer. She feared that if he got out of the way of the
crocodiles he might fall in with the ostriches, which doubtless were
dangerous when encountered in large numbers; and she shuddered at the
sight of her feather fan.
Mrs. Wornock's letters were in a sadder strain. The key was distinctly
minor. She wrote of her loneliness; of the monotonous days; the longing
for the face that had vanished.
"My organ talks to me of you--Bach, Beethoven, Mozart, Mendelssohn, all
tell me the same story. You are far away--away for a long time--and
life is very sad."
There was not a word of Suzette in those letters. If she was ever at
the Manor, if Mrs. Wornock retained her affection and found solace in
her society, there was no hint of that consoling presence. It might
be that the girl hated the house because of that vehement stormy love
which had assailed her there; the love that would not let her be
faithful to a more reasonable lover.
Public-domain text, read in full here on John Shaqi.
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