Blangy--by that we mean the sixty houses described by Blondet in his
letter to Nathan--stands on a rise of land to the left of the Thune. As
all the houses are surrounded by gardens, the village is a very pretty
one. Some houses are built on the banks of the stream. At the upper end
of the long rise stands the church, formerly flanked by a parsonage,
its apse surrounded, as in many other villages, by a graveyard. The
sacrilegious old Rigou had bought the parsonage, which was originally
built by an excellent Catholic, Mademoiselle Choin, on land which she
had bought for the purpose. A terraced garden, from which the eye looked
down upon Blangy, Cerneux, and Soulanges standing between the two great
seignorial parks, separated the late parsonage from the church. On its
opposite side lay a meadow, bought by the last curate of the parish not
long before his death, which the distrustful Rigou had since surrounded
with a wall.
The ex-monk and mayor having refused to sell back the parsonage for its
original purpose, the parish was obliged to buy a house belonging to
a peasant, which adjoined the church. It was necessary to spend five
thousand francs to repair and enlarge it and to enclose it in a
little garden, one wall of which was that of the sacristy, so that
communication between the parsonage and the church was still as close as
it ever was.
These two houses, built on a line with the church, and seeming to belong
to it by their gardens, faced a piece of open ground planted by trees,
which might be called the square of Blangy,--all the more because
the count had lately built, directly opposite to the new parsonage,
a communal building intended for the mayor’s office, the home of the
field-keeper, and the quarters of that school of the Brothers of the
Christian Doctrine, for which the Abbe Brossette had hitherto begged in
vain. Thus, not only were the houses of the ex-monk and the young priest
connected and yet separated by the church, but they were in a position
to watch each other. Indeed, the whole village spied upon the abbe. The
main street, which began at the Thune, crept tortuously up the hill to
the church. Vineyards, the cottages of the peasantry, and a small grove
crowned the heights.
Rigou’s house, the handsomest in the village, was built of the large
rubble-stone peculiar to Burgundy, imbedded in yellow mortar smoothed by
the trowel, which produced an uneven surface, still further broken here
and there by projecting points of the stone, which was mostly black. A
band of cement, in which no stones were allowed to show, surrounded each
window with a sort of frame, where time had made some slight, capricious
cracks, such as appear on plastered ceilings. The outer blinds, of a
clumsy pattern, were noticeable for their color, which was dragon-green.
A few mosses grew among the slates of the roof. The type is that of
Burgundian homesteads; the traveller will see thousands like it when
visiting this part of France.
Public-domain text, read in full here on John Shaqi.
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