A double door opened upon a passage, half-way down which was the well of
the staircase. By the entrance was the door of a large room with three
windows looking out upon the square. The kitchen, built behind and
beneath the staircase, was lighted from the courtyard, which was neatly
paved with cobble-stones and entered by a porte-cochere. Such was the
ground-floor. The first floor contained three bedrooms, above them a
small attic chamber.
A wood-shed, a coach-house, and a stable adjoined the kitchen, and
formed two sides of a square around the courtyard. Above these rather
flimsy buildings were lofts containing hay and grain, a fruit-room, and
one servant’s-chamber.
A poultry-yard, the stable, and a pigsty faced the house across the
courtyard.
The garden, about an acre in size and enclosed by walls, was a true
priest’s garden; that is, it was full of wall-fruit and fruit-trees,
grape-arbors, gravel-paths, closely trimmed box-trees, and square
vegetable patches, made rich with the manure from the stable.
Within, the large room, panelled in wainscot, was hung with old
tapestry. The walnut furniture, brown with age and covered with stuffs
embroidered in needle-work, was in keeping with the wainscot and with
the ceiling, which was also panelled. The latter had three projecting
beams, but these were painted, and between them the space was plastered.
The mantel, also in walnut, surmounted by a mirror in the most grotesque
frame, had no other ornament than two brass eggs standing on a marble
base, each of which opened in the middle; the upper half when turned
over showed a socket for a candle. These candlesticks for two lights,
festooned with chains (an invention of the reign of Louis XV.), were
becoming rare. On a green and gold bracket fastened to the wall opposite
to the window was a common but excellent clock. The curtains, which
squeaked upon their rods, were at least fifty years old; their material,
of cotton in a square pattern like that of mattresses, alternately pink
and white, came from the Indies. A sideboard and dinner-table completed
the equipment of the room, which was kept with extreme nicety.
At the corner of the fireplace was an immense sofa, Rigou’s especial
seat. In the angle, above a little “bonheur du jour,” which served him
as a desk, and hanging to a common screw, was a pair of bellows, the
origin of Rigou’s fortune.
Public-domain text, read in full here on John Shaqi.
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