Passing through the little wood placed there as sentinel, I came upon a charming declivity, at the foot of which foamed and gurgled a little brook, which I crossed on a culvert of mossy stones, superb in color, the prettiest of all the mosaics which time manufactures. The avenue continues by the brookside up a gentle rise. In the distance, the first tableau is now seen,--a mill and its dam, a causeway and trees, linen laid out to dry, the thatched cottage of the miller, his fishing-nets, and the tank where the fish are kept,--not to speak of the miller’s boy, who was already watching me. No matter where you are in the country, however solitary you may think yourself, you are certain to be the focus of the two eyes of a country bumpkin; a laborer rests on his hoe, a vine-dresser straightens his bent back, a little goat-girl, or shepherdess, or milkmaid climbs a willow to stare at you. Presently the avenue merges into an alley of acacias, which leads to an iron railing made in the days when iron-workers fashioned those slender filagrees which are not unlike the copies set us by a writing-master. On either side of the railing is a ha-ha, the edges of which bristle with angry spikes,--regular porcupines in metal. The railing is closed at both ends by two porter’s-lodges, like those of the palace at Versailles, and the gateway is surmounted by colossal vases. The gold of the arabesques is ruddy, for rust has added its tints, but this entrance, called “the gate of the Avenue,” which plainly shows the hand of the Great Dauphin (to whom, indeed, Les Aigues owes it), seems to me none the less beautiful for that. At the end of each ha-ha the walls of the park, built of rough-hewn stone, begin. These stones, set in a mortar made of reddish earth, display their variegated colors, the warm yellows of the silex, the white of the lime carbonates, the russet browns of the sandstone, in many a fantastic shape. As you first enter it, the park is gloomy, the walls are hidden by creeping plants and by trees that for fifty years have heard no sound of axe. One might think it a virgin forest, made primeval again through some phenomenon granted exclusively to forests. The trunks of the trees are swathed with lichen which hangs from one to another. Mistletoe, with its viscid leaves, droops from every fork of the branches where moisture settles. I have found gigantic ivies, wild arabesques which flourish only at fifty leagues from Paris, here where land does not cost enough to make one sparing of it. The landscape on such free lines covers a great deal of ground. Nothing is smoothed off; rakes are unknown, ruts and ditches are full of water, frogs are tranquilly delivered of their tadpoles, the woodland flowers bloom, and the heather is as beautiful as that I have seen on your mantle-shelf in January in the elegant beau-pot sent by Florine. This mystery is intoxicating, it inspires vague desires. The