[Illustration: THE WOLF, THE FOX, AND THE APE
(See page 153)]
Æsop’s Fables
A Version for
Young Readers
_By_
J. H. Stickney
Illustrated by
Charles Livingston Bull
Ginn and Company
Boston—New York—Chicago—London
Atlanta—Dallas—Columbus—San Francisco
[Illustration]
COPYRIGHT, 1915, BY GINN AND COMPANY
ALL RIGHTS RESERVED
321.11
THE Athenæum Press
GINN AND COMPANY·PROPRIETORS·BOSTON·U.S.A.
PREFACE
THE good fortune which has attended the earlier edition of this book
is a proof that there is less occasion now than formerly to plead the
cause of fables for use in elementary schools. And yet their value
is still too little recognized. The homely wisdom, which the fables
represent so aptly, was a more common possession of intelligent people
of a generation or two ago than it is at the present time. It had
then a better chance of being passed on by natural tradition than
is now the case among the less homogeneous parentage of our school
children. And there has never been a greater need than now for the
kind of seed-sowing for character that is afforded by this means. As
in the troubled times in Greece in Æsop’s day, twenty-five centuries
ago, moral teaching to be salutary must be largely shorn of didactic
implications and veiled with wit and satire. This insures its most
vital working wherever its teaching is pertinent. To be whipped,
warned, shamed, or encouraged, and so corrected, over the heads of
animals as they are represented in the expression of their native
traits, is the least offensive way that can fall to a person’s lot.
Among several hundred episodes, knowledge of which is acquired in
childhood as a part of an educational routine, most conservative
estimates would allow for large, substantial results in practical wit
and wisdom, to be reaped as later life calls for them.
It is well recognized by scholars, and should be taught to children,
that not all the fables attributed to Æsop are of so early a date.
Imitations of his genius all along the centuries have masqueraded under
his name. Facts about him appear in the Introduction.
Public-domain text, read in full here on John Shaqi.
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