PAGE
Note 215
The Wolf and the Lamb 216
The Fox and the Lion 217
The Dog and his Shadow 217
The Crab and his Mother 217
The Fox and the Grapes 218
The Wolf and the Crane 218
The Ants and the Grasshoppers 219
The Frogs who asked for a King 220
The Donkey in the Lion’s Skin 221
The Mice in Council 221
The Kid and the Wolf 222
The Hawk and the Nightingale 223
The Crow and the Pitcher 223
The Ant and the Dove 224
The Ox and the Frog 224
The Bat and the Weasels 225
The Fox and the Goat 226
The Woman and her Hen 226
The Dog in the Manger 227
The Mouse, the Frog, and the Hawk 227
The Shepherd Boy and the Wolf 228
The Fisherman and the Little Fish 229
The Fox and the Crow 229
The Partridge and the Fowler 230
The Thirsty Pigeon 230
The Three Tradesmen 231
The Hares and the Frogs 231
The Eagle and the Fox 232
INTRODUCTION
THE HISTORY OF FABLE
MODERN versions of Æsop go back no further than 480 A.D. In their
earliest use they are related to the folklore current among all
primitive peoples. This folklore had risen in Greece to the rank of
literary form a thousand years before the above-mentioned revival
in Germany, France, and England. As the creation of Æsop it was the
answer to a need for trenchant, but veiled, characterization of men
and measures in the dangerous times of the Tyrants. In mirth-provoking
utterances, quite apart from personal criticism, things could be
intimated with all the force of specific judgments, yet in such veiled
form that to resent them was tacit confession that they applied. Later
on, when free speech became safer, the grammarians and rhetoricians
raised these clever, pithy stories to the literary form they have since
maintained.
Public-domain text, read in full here on John Shaqi.
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