But the great Mind which put harmony into the movements of celestial
bodies, could also give it to the internal mechanism of society. We will
see the advantages of this invention escaping from the individual, to
become forever the common patrimony of mankind.
The process finally becomes known. Guttenberg is no longer alone in his
art; others imitate him. Their profits are at first considerable. They
are recompensed for being the first who make the effort to imitate the
processes of the newly invented art. This again was necessary, in order
that they might be induced to the effort, and thus forward the great and
final result to which we approach. They gain much; but they gain less
than the inventor, for _competition_ has commenced its work. The price
of books now continually decreases. The gains of the imitators diminish
in proportion as the invention becomes older; and in the same proportion
imitation becomes less meritorious. Soon the new object of industry
attains its normal condition; in other words, the remuneration of
printers is no longer an exception to the general rules of remuneration,
and, like that of copyists formerly, it is only regulated _by the
general rate of profits_. Here then the producer, as such, holds only
the old position. The discovery, however, has been made; the saving of
time, labor, effort, for a fixed result, for a certain number of
volumes, is realized. But in what is this manifested? In the cheap price
of books. For the good of whom? For the good of the consumer,--of
society,--of humanity. Printers, having no longer any peculiar merit,
receive no longer a peculiar remuneration. As men,--as consumers,--they
no doubt participate in the advantages which the invention confers upon
the community; but that is all. As printers, as producers, they are
placed upon the ordinary footing of all other producers. Society pays
them for their labor, and not for the usefulness of the invention.
_That_ has become a gratuitous benefit, a common heritage to mankind.
Public-domain text, read in full here on John Shaqi.
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