“Experiments and observation lead to the conclusion that these
anomalies in the penetration and direction of sound from fog-signals
are to be attributed mainly to the want of uniformity in the
surrounding atmosphere, and that snow, rain, and fog, and the direction
of the wind, have much less influence than has been generally supposed.”
The Report of General Duane is marked throughout by fidelity to facts,
rare sagacity, and soberness of speculation. The last three of the
paragraphs just quoted exhibit, in my opinion, the only approach to a
true explanation of the phenomena which the Washington Report reveals.
At this point, however, the eminent Chairman of the Lighthouse Board
strikes in with the following criticism:
“In the foregoing I differ entirely in opinion from General Duane as
to the cause of extinction of powerful sounds being due to the unequal
density of the atmosphere. The velocity of sound is not at all affected
by barometric pressure; but if the difference in pressure is caused by
a difference in heat, or by the expansive power of vapor mingled with
the air, a slight degree of obstruction of sound may be observed. But
this effect we think is entirely too minute to produce the results
noted by General Duane and Dr. Tyndall, while we shall find in the
action of currents above and below a true and efficient cause.”
I have already cited the remarkable observation of General Duane,
that with a snowstorm from the northeast blowing against the sound,
the signal at Cape Elizabeth is always heard at Portland, a distance
of nine miles. The observations at the South Foreland, where the
sound has-been proved to reach a distance of more than twelve miles
against the wind, backed by decisive experiments, reduce to certainty
the surmises of General Duane. It has, for example, been proved that
a couple of gas-flames placed in a chamber can, in a minute or two,
render its air so non-homogeneous as to cut a sound practically off;
while the same sound passes without sensible impediment through showers
of paper-scraps, seeds, bran, raindrops, and through fumes and fogs of
the densest description. The sound also passes through thick layers of
calico, silk, serge, flannel, baize, close felt, and through pads of
cotton-net impervious to the strongest light.
Public-domain text, read in full here on John Shaqi.
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