A flame of astonishing sensitiveness now burns before you. It issues
from the single orifice of a steatite burner, and reaches a height of
24 inches. The slightest tap on a distant anvil reduces its height to 7
inches. When a bunch of keys is shaken the flame is violently agitated,
and emits a loud roar. The dropping of a sixpence into a hand already
containing coin, at a distance of 20 yards, knocks the flame down. It
is not possible to walk across the floor without agitating the flame.
The creaking of boots sets it in violent commotion. The crumpling, or
tearing of paper, or the rustle of a silk dress, does the same. It is
startled by the patter of a rain-drop. I hold a watch near the flame:
nobody hears its ticks; but you all see their effect upon the flame.
At every tick it falls and roars. The winding up of the watch also
produces tumult. The twitter of a distant sparrow shakes the flame; the
note of a cricket would do the same. A chirrup from a distance of 30
yards causes it to fall and roar. I repeat a passage from Spenser:
“Her ivory forehead full of bounty brave,
Like a broad table did itself dispread;
For love his lofty triumphs to engrave,
And write the battles of his great godhead.
All truth and goodness might therein be read,
For there their dwelling was, and when she spake,
Sweet words, like dropping honey she did shed;
And through the pearls and rubies softly brake
A silver sound, which heavenly music seemed to make.”
The flame selects from the sounds those to which it can respond. It
notices some by the slightest nod, to others it bows more distinctly,
to some its obeisance is very profound, while to many sounds it turns
an entirely deaf ear.
[Illustration: FIG. 136.]
In Fig. 136, this wonderful flame is represented. On chirruping to
it, or on shaking a bunch of keys within a few yards of it, it falls
to the size shown in Fig. 137, the whole length, _a b_, of the flame
being suddenly abolished. The light at the same time is practically
destroyed, a pale and almost non-luminous residue of it alone
remaining. These figures are taken from photographs of the flame.
[Illustration: FIG. 137.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account