To distinguish it from the others I have called this the “vowel-flame,”
because the different vowel-sounds affect it differently. A loud and
sonorous U does not move the flame; on changing the sound to O, the
flame quivers; when E is sounded, the flame is strongly affected. I
utter the words _boot_, _boat_, and _beat_, in succession. To the first
there is no response; to the second, the flame starts; by the third, is
thrown into greater commotion; the sound _Ah!_ is still more powerful.
Did we not know the constitution of vowel-sounds this deportment would
be an insoluble enigma. As it is, however, the flame illustrates the
theory of vowel-sounds. It is most sensitive to sounds of high pitch;
hence we should infer that the sound _Ah!_ contains higher notes than
the sound E; that E contains higher notes than O; and O higher notes
than U. I need not say that this agrees perfectly with the analysis of
Helmholtz.
[Illustration: FIG. 138.]
This flame is peculiarly sensitive to the utterance of the letter S.
A hiss contains the elements that most forcibly affect the flame.
The gas issues from its burner with a hiss, and an external sound of
this character is therefore exceedingly effective. From a metal box
containing compressed air I allow a puff to escape; the flame instantly
ducks down not by any transfer of _air_ from the box to the flame, for
the distance between both utterly excludes this idea—it is the _sound_
that affects the flame. From the most distant part of the gallery my
assistant permits the compressed air to issue in puffs from the box; at
every puff the flame suddenly falls. The hiss of the issuing air at the
one orifice precipitates the tumult of the flame at the other.
When a musical-box is placed on the table, and permitted to play, the
flame behaves like a sentient and motor creature—bowing slightly to
some tones, and courtesying deeply to others.
§ 13. _Mr. Philip Harry’s Sensitive Flame_
Mr. Philip Barry has discovered a new and very effective form of
sensitive flame, which he thus describes in a letter to myself: “It is
the most sensitive of all the flames that I am acquainted with, though
from its smaller size it is not so striking as your vowel-flame. It
possesses the advantage that the ordinary pressure in the gas-mains is
quite sufficient to produce it. The method of producing it consists in
igniting the gas (ordinary coal-gas) not at the burner but some inches
above it, by interposing between the burner and the flame a piece of
wire-gauze.”
I give a sketch of the arrangement adopted in Fig. 138. The space
between the burner and gauze was 2 inches. The gauze was about 7 inches
square, resting on the ring of a retort-stand. It had 32 meshes to the
lineal inch. The burner was Sugg’s steatite pinhole burner, the same as
used for the vowel-flame.
Public-domain text, read in full here on John Shaqi.
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