SUMMARY OF CHAPTER VII 374
CHAPTER VIII
Law of Vibratory Motions in Water and
Air—Superposition of Vibrations—Interference of
Sonorous Waves—Destruction of Sound by Sound—Combined
Action of Two Sounds nearly in Unison with each
other—Theory of Beats—Optical Illustration of the
Principle of Interference—Augmentation of Intensity
by Partial Extinction of Vibrations—Resultant
Tones—Conditions of their Production—Experimental
Illustrations—Difference-Tones and
Summation-Tones—Theories of Young and Helmholtz 377
SUMMARY OF CHAPTER VIII 407
CHAPTER IX
Combination of Musical Sounds—The smaller the Two
Numbers which express the Ratio of their Rates of
Vibration, the more perfect is the Harmony of Two
Sounds—Notions of the Pythagoreans regarding Musical
Consonance—Euler’s Theory of Consonance—Theory of
Helmholtz—Dissonance due to Beats—Interference of Primary
Tones and of Overtones—Mechanism of Hearing—Schultze’s
Bristles—The Otoliths—Corti’s Fibres—Graphic
Representation of Consonance and Dissonance—Musical
Chords—The Diatonic Scale—Optical Illustration of
Musical Intervals—Lissajous’s Figures—Sympathetic
Vibrations—Various Modes of illustrating the Composition
of Vibrations 410
Summary of Chapter IX 450
APPENDIX I
ON THE INFLUENCE OF MUSICAL SOUNDS ON THE FLAME OF A JET OF
COAL-GAS. BY JOHN LE CONTE, M.D. 454
APPENDIX II
ON ACOUSTIC REVERSIBILITY 461
INDEX 471
ILLUSTRATION—FOG-SIREN _Frontispiece_
[Illustration: FOG-SIREN]
PREFACE TO THE THIRD EDITION
In preparing this new edition of “Sound,” I have carefully gone over
the last one; amended, as far as possible, its defects of style
and matter, and paid at the same time respectful attention to the
criticisms and suggestions which the former editions called forth.
The cases are few in which I have been content to reproduce what I
have _read_ of the works of acousticians. I have sought to make myself
experimentally familiar with the ground occupied; trying, in all cases,
to present the illustrations in the form and connection most suitable
for educational purposes.
Public-domain text, read in full here on John Shaqi.
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