South Africa -- Description and travel; South Africa -- History -- 1836-1909; South Africa -- History -- To 1836
When the world below is busy there are about 3,500 Kafirs at work,--some
small proportion upon the reef which has to be got into order so that it
shall neither tumble in, nor impede the work, nor overlay the
diamondiferous soil as it still does in some places; but by far the
greater number are employed in digging. Their task is to pick up the
earth and shovel it into the buckets and iron receptacles. Much of it is
loosened for them by blasting which is done after the Kafirs have left
the mine at 6 o’clock. You look down and see the swarm of black ants
busy at every hole and corner with their picks moving and shovelling the
loose blue soil.
But the most peculiar phase of the mine, as you gaze into its one large
pit, is the subdivision into claims and portions. Could a person see the
sight without having heard any word of explanation it would be
impossible, I think, to conceive the meaning of all those straight cut
narrow dikes, of those mud walls all at right angles to each other, of
those square separate pits, and again of those square upstanding blocks,
looking like houses without doors or windows. You can see that nothing
on earth was ever less level than the bottom of the bowl,--and that the
black ants in traversing it, as they are always doing, go up and down
almost at every step, jumping here on to a narrow wall and skipping
there across a deep dividing channel as though some diabolically
ingenious architect had contrived a house with 500 rooms, not one of
which should be on the same floor, and to and from none of which should
there be a pair of stairs or a door or a window. In addition to this it
must be imagined that the architect had omitted the roof in order that
the wires of the harp above described might be brought into every
chamber. The house has then been furnished with picks, shovels, planks,
and a few barrels, populated with its black legions, and there it is for
you to look at.
Public-domain text, read in full here on John Shaqi.
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