South and South Central Africa: A record of fifteen years' missionary labors among primitive peoplesDavidson, Hannah Frances
History
South and South Central Africa: A record of fifteen years' missionary labors among primitive peoples
Davidson, Hannah Frances
Brethren in Christ Church -- Missions; Missions -- Rhodesia; Ndebele (African people); Tsonga (African people)
One of the most noticeable features at first was the evident attempt at
ornamentation on the part of the women, especially the older women who
were to take active part in the proceedings. We might add that only the
older people took part in this dance, and that the ornamentation of the
body is always a noticeable feature of their worship. Their dress, or
rather undress, consisted of a short skirt of dirty, greasy leather,
covered with a heavy embroidery of bright-colored beads. The rest of the
body was ornamented with beads and heavy brass rings, neck, waist, arms,
and ankles being heavily laden. The headdress consisted of a broad band
of beads artistically put together.
Our attention was soon drawn to three women seated on the ground before
one of the huts, each with a large drum made from a hollowed log, over
one end of which was a skin tightly drawn. On this drum they were
beating with their hands and accompanying the sound with low, plaintive
singing. Presently a man, who proved to be the leader, or medium,
stepped out, beating at the same time on a drum made of a broad wooden
hoop, over which was stretched a piece of skin. He was a tall,
athletic-looking fellow, clothed in a short skirt similar to that worn
by the women. He had many yards of blue cloth wrapped about his body and
a yellow scarf thrown over one shoulder. The drum which was beaten with
a stick produced a sharp ringing sound, and he danced with a peculiar
backward step, keeping time to the beating of his drum, and sang,
calling upon the shades. To this the women, beating the drums or
tomtoms, would respond. A number of other men with similar drums joined
him in the dance, and the air was filled with their melody.
This was continued for some time, when all suddenly ceased and
disappeared within a hut and continued their dance within. We were
invited to enter, and after creeping through the low doorway we found
ourselves in a hut about eighteen feet in diameter, with a somewhat
higher roof than is to be found in many native huts. The performance was
similar to that on the outside, except that others joined in the dance,
but all danced alone. The actions and contortions of the body became
more and more rapid and violent, and there was also leaping and jumping,
the heat and violent exertion of the body causing the perspiration to
flow freely.
Public-domain text, read in full here on John Shaqi.
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