At the porch they parted with a warmer kiss than usual. Linda could
not help feeling that she had cast herself adrift to swim alone
henceforth in waters that might be cold and sullen. She went into the
house and took off her hat half reluctantly. The next few hours dragged
on in unbroken dulness. About four o'clock the bay horses dashed up
and Mr. Meeks alighted from his buggy, followed by a fine-looking,
gray-haired man who was in the midst of remarks evidently admiring and
complimentary in their nature.
Mrs. Meeks stood upon the veranda, her eyes a trifle brighter than
usual, her cheeks a trifle warmer; her head was held unconsciously a
little high, but otherwise there was no criticism to be made upon the
gracious sweetness with which she greeted her husband and his guest.
"I was in a measure prepared to meet you," said the suave Briton.
"Meeks has been treating me to certain rhapsodies of description with
which I now perfectly sympathize."
"In Virginia we say that an acquaintance begun with a compliment ends
in a duel," said Linda, smiling.
When the guest had been ushered upstairs to wash off the dust of
travel, Mr. Meeks put his arm about his wife's waist. His eyes were
unshadowed by any disagreeable recollections.
"Sweetheart!" he said.
"He will never make any apologies," thought Linda. "Well, no matter. I
am glad I came back."
THE WIFE OF LOTHARIO.[1]
I.
"MANDY'S jest crazy to go to New York," said Mrs. Powell to her friend
Mrs. Thomas, who was spending the day with her.
The two elderly women were "kin" in that wide-reaching term that in
Virginia stretches out over blood relationship to the remotest degree
of fortieth cousinship. Mr. Thomas' mother had been a Powell, and it
was from the Powells, she was accustomed to say with ill-concealed
pride, that her son Vivian got his high spirit and his splendid eyes.
Amanda Powell had the identical dark brown eyes and apparently the
same high spirit. When she was six and Vivian twelve, the two had been
used to retire from family parties anywhere from one to a dozen times
in the course of an afternoon to have it out, in the back hallway, or
in the garret, or even, when the excitement was intense, in the "far
barn," a dilapidated building a quarter of a mile away from the house.
Public-domain text, read in full here on John Shaqi.
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