American fiction -- Southern States; Short stories, American -- Southern States; Southern States -- Social life and customs -- Fiction
Kerry slept again. Mountain air and weariness are drugs potent against a
bad conscience, and it was broad daylight outside the cave when he wakened.
He was a little surprised to find his host still sleeping, yet his
experience told him that the wound was of a nature to induce fever,
followed by considerable exhaustion. As the Irishman lifted his coat from
where he had had it folded into a bundle beneath his head, the handcuffs in
the pocket clicked, and he frowned. He stole across to look at the man who
had called himself Andy, lying now at ease upon his bed of leaves, one
great arm underneath his head, the injured hand nursed upon his broad
breast. Those big eyes which had so appalled Kerry upon a first view
yesterday were closed. The onlooker noted with a sort of wonder how
sumptuous were the fringes of their curtains, long and purple--black, like
the thick, arched brows above. To speak truly, Kerry, although he was a
respectable member of the police force, had the artistic temperament. The
harmony of outline, the justness of proportion in both the face and figure
of the man before him, filled the Irishman with delight; and the splendid
virile bulk of the mountain-man appealed irresistibly to the other's
masculinity. The little threads of silver in the tempestuous black curls
seemed to Kerry but to set off their beauty.
“Gosh! but you're a good-looker!” he muttered. And putting his estimate of
the man's charm into such form as was possible to him, he added, under his
breath, “I'd hate to have seen a feller as you tryin' to court my Katy.”
This was the first of many strange days; golden September days they were,
cool and full of the ripened beauty of the departing summer. Kerry's host
taught him to snare woodcock and pheasants--shoot them the Irishman could
not, since the excitement of the thing made him fire wild.
“Now ain't that the very divil!” he would cry, after he had let his third
bird get away unharmed. “Ef I was shootin' at a man, I'd be as stiddy as a
clock. Gad! I'd be cool as an ice-wagon. But when that little old brown
chicken scoots a-scutterin' up out o' the grass like a hummin'-top, it
rattles me.” His teacher apparently took no note of the significance
contained in this statement; yet Kerry's very ears were red as it slipped
out, and he felt uneasily for the handcuffs, which no longer clinked in his
pocket, but now lay carefully hidden under his fern bed.
Public-domain text, read in full here on John Shaqi.
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