Southern Spain, Painted by Trevor Haddon, Described by A. F. CalvertCalvert, Albert Frederick
History
Southern Spain, Painted by Trevor Haddon, Described by A. F. Calvert
Calvert, Albert Frederick
Spain -- Description and travel
Such contrasts are very sharp in this city, where the streets
exist simply for folk to dwell in, the squares and paseos for them to
gather in and do their business. There are notable exceptions, it is
true. There is no want of life in the Sierpes, the narrow street which
is the Strand and Charing Cross of Seville. Here you return again and
again, feeling it is the focus of the city's life. Little better than a
lane is the Sierpes, where no wheeled traffic can pass. It is amazingly
dark in the summer, when awnings are drawn right across it from roof to
roof, and penetrating into it from the sunny plaza, it is a little time
before you can accustom your eyes to the shadow. Here are the best
shops, the banks, and those elegant and ostentatious casinos, where the
aristocracy and leisured class lounge and smoke, and survey at their
ease the unceasing procession of passers by. There are cafés here of a
different sort, some of which are frequented by the bull-fighters and
their admirers. Here too may be seen in all his glory that peculiar type
of Andalusian, the "Majo," a curious blend of the English "masher" the
"sporting man" and the "troubadour"! The people sit in the cafés to see
the others pass, and the others walk down the street to see the people
in the cafés. This is a form of amusement and exercise common on the
Continent, and acclimatized already at our English seaside towns.
Selling lottery tickets is a great industry in the Sierpes, the sale of
tickets for the next _Corrida de toros_ even more so. The boot-blacking
saloons remind the American visitor of his native land. For his
delectation the _New York Herald_ is displayed in the windows of the few
booksellers. There is nothing about this gay little thoroughfare to
remind us of the past. The history of Seville is more easily recoverable
by the fancy, when you are seated by the Guadalquivir, in sight of the
Torre del Oro, on the spot perhaps where George Borrow, in an unwonted
fit of hysteria, wept over the beauty of the scene before him.
Public-domain text, read in full here on John Shaqi.
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