Southern Spain, Painted by Trevor Haddon, Described by A. F. CalvertCalvert, Albert Frederick
History
Southern Spain, Painted by Trevor Haddon, Described by A. F. Calvert
Calvert, Albert Frederick
Spain -- Description and travel
[Note *: Instances of this lofty spirit are frequent in the history
of the Spanish peoples. When, after their first uprising against the
mother country, the people of Honduras (Central America) met in Congress
to frame a Constitution, a priest rose and proposed that before anything
else was done, every slave in the country should be set free. And the
measure was carried unanimously and enthusiastically by the Congress,
which must have included many slaveholders. It took the United States
forty years to follow this example.]
The Cathedral took one hundred and seventeen years to build, the first
stone having been laid in 1402 and the lantern having been finished by
Juan Gil de Hontañon in 1519. Of the mosque certain portions were left:
the Giralda, the Patio de los Naranjos, and the portal called the Puerta
del Lagarto. The latter is named after the wooden model of an alligator
which hangs from the roof. Three or four centuries ago the mummified
form of a real alligator hung there. It was one of the gifts of an
Egyptian khalifa to the daughter of a Castilian king, whom he sought in
marriage. The saurian was accompanied from the banks of the Nile by
various animals peculiar to that fertile region, but these interesting
offerings failed to make any impression on the heart of the Infanta.
Thus the forlorn-looking effigy of the reptile is in reality an
affecting memorial of unrequited love.
Churches, it has been remarked, were considered in the Middle Ages very
proper repositories for curiosities of all sorts. The cloister of the
Lagarto contains also an elephant's tusk, weighing seventy pounds, and a
horse's bit, said to be that of Babieca, the Cid's charger.
Very grateful is the sudden cool of the great church when you enter it
from the sun-scorched plaza. Then there comes over you a feeling of
profound reverence, followed very soon by an infinite restfulness. There
is no place in Seville where you more willingly linger. A holy calm
pervades the whole building, and you wonder that it should have
suggested to Théophile Gautier such fantastic comparisons. If it were
not the temple of Christ, I could believe it to be the temple of
Silence.
Public-domain text, read in full here on John Shaqi.
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