In the south aisle are the chapels of the Mariscal, San Andres, las Dolores, la Antigua, San Hermenegildo, San José, Santa Ana, and Santa Laureana. These chapels are richer in sculpture than in painting. Kempener designed the beautiful altar-piece in the Capilla del Mariscal, and Montañez the grand statue of St. Hermenegildo in his chapel. On the west side of the Puerta de San Cristobal, over a small altar, is the "Generacion" of Luis de Vargas--the much praised "leg" picture which has given its name to the chapel. The fresco of St. Christopher that faces it is remarkable only for its size. You find such pictures of the saint at the entrances to many Spanish churches, the old belief having been that those who gazed upon it would not die unpreparedly that day. A much more ancient and interesting mural painting in the Byzantine style is to be seen in the large chapel of the "Antigua," where it was placed in 1578. The retablo of St. Anne's Chapel is also very old, and comes from the former cathedral. The next chapel, San José, is adorned by Valdés Leal's "Espousals of the Virgin." The Cathedral does not contain any fine ancient tombs. One of the best is that of Archbishop Mendoza, by Miguel Florentin, in the Antigua Chapel. As every visitor to Seville professes a special devotion to Murillo, he will probably overlook the fine "Nativity" by Luis de Vargas to the right, on entering, of the Puerta del Nacimiento, and hurry at once to the more famous master's "Guardian Angel," between Puerta Mayor and Puerta del Bautismo. His "St. Leander" and "St. Isidore" are to be seen in the great Sacristy, where they are eclipsed by Kempener's beautiful "Descent from the Cross," before which Murillo himself used to stand for hours in rapt contemplation. The French cut this priceless work into five pieces, intending to remove it, and although their design was frustrated, the subsequent restoration was badly effected. The Sacristia de los Calices is a storehouse of art treasures. Here you may see Goya's "Saint Justa and Saint Rufina," a "Trinity" by "El Greco," the "Angel de la Guarda" and "St. Dorothy" of Murillo, the "Death of a Saint" by Zurbaran, and the superb crucifix of Montañez. A "Conception" by Murillo is in the Chapter House, a splendid hall in the Renaissance style. In the great Sacristy is preserved the "treasury" of the Cathedral. It includes a wonderful monstrance by that prince of goldsmiths, Juan de Arfe; and something more interesting in the shape of keys presented to St. Ferdinand on the surrender of the city. The key presented by the Jews is iron-gilt and bears the inscription in Hebrew: "The King of Kings will open, the King of all earth will enter." The key offered by the Moors is silver-gilt, and the Arabic inscription reads: "May Allah render eternal the dominion of Islam in this city."