Southern Spain, Painted by Trevor Haddon, Described by A. F. CalvertCalvert, Albert Frederick
History
Southern Spain, Painted by Trevor Haddon, Described by A. F. Calvert
Calvert, Albert Frederick
Spain -- Description and travel
It has often seemed to me that every city belongs to one particular age.
This being a fancy contrary to fact, I will put it this way--that in
every city there is always some one period of human history more readily
recoverable than any other. This may not be the period which has left
its mark most conspicuously on the physiognomy of the place; more
probably it will be determined by your own preconceptions, derived from
study or chance reading. John Addington Symonds observed that an island
near Venice, the name of which I have forgotten, immediately recalled to
him not the great days of the Republic with which it had an historical
connection, but the later and decadent days of bag-wig and hair powder.
At Cadiz I could have wished to think of the Phœnicians, thus hardily
adventuring into the wide ocean; or of Drake and his gentlemen
adventurers, "bound wrist to bar, all for red iniquity"; but instead I
fancied myself back in the 'thirties of last century, and thought of De
Musset and his "Andalouse" and his lovely Spanish girls. Is it possible
that Andalusia in those days of our grandfathers _was_ the Andalusia of
the Romanticists? At Cadiz, I beguiled myself into believing so--why, I
cannot explain. Perhaps it was due to the unexpected appearance of a
native--a distinctively Andalusian--costume in the streets. Nowhere else
in Spain is the mantilla more conspicuous or more gorgeous. A French
writer gives a selection of toilettes worn at a _Corrida de toros_,
which, as I never assisted at one of these functions in Cadiz, I repeat:
"All pink, coral necklace, white lace mantilla, big bunches of
carnations in the hair and corsage; a blond head seen beneath a
transparent mantilla, like a frail spider's web, red corsage and white
gown; coral ear-rings, with bunches of roses; all black, with a white
mantilla; all white, with a black mantilla; pale green gown with a blue
bolero and white roses; shawl draped, brocaded, with a wealth of
carnations in the hair; black dress and mantilla, violets in the hair;
gold coloured shawl, embroidered with red roses, comb like a tiara set
with bright-hued flowers," etc., etc. With confections such as these
dazzling the eyes, it is no wonder that I began to see visions of
gentlemen in black silk tights, dark green frock coats, and snowy white
cravats, stammering Castilian with a Parisian accent.
Public-domain text, read in full here on John Shaqi.
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