Wordsworth has described in memorable words the sudden exaltation of the spirit of resistance to Napoleon, its change from the temper of fortitude to enthusiasm, animated by hope, when the Spanish people rose against their oppressors. “From that moment,” he says, “this corruptible put on incorruption, and this mortal put on immortality.” Southey had learned to love the people of the Peninsula; he had almost naturalized himself among them by his studies of Spanish and Portuguese history and literature. Now there was in him a new birth of passion at a period of life when ordinarily the crust of custom begins to encase our free spirits. All his moral ardour flowed in the same current with his political enthusiasm; in this war there was as direct a contest between the principles of evil and good as the elder Persians or the Manicheans imagined in their fables. “Since the stirring day of the French Revolution,” he writes to John May, “I have never felt half so much excitement in political events as the present state of Spain has given me.” Little as he liked to leave home, if the Spaniards would bury their crown and sceptre, he would gird up his loins and assist at the ceremony, devout as ever pilgrim at Compostella. A federal republic which should unite the Peninsula, and allow the internal governments to remain distinct, was what Southey ardently desired. When news came of the Convention of Cintra (1808), the poet, ordinarily so punctual a sleeper, lay awake all night; since the execution of the Brissotines no public event distressed him so deeply. “How gravely and earnestly used Samuel Taylor Coleridge”—so writes Coleridge’s daughter—“and William Wordsworth and my uncle Southey also, to discuss the affairs of the nation, as if it all came home to their business and bosoms, as if it were their private concern! Men do not canvass these matters now-a-days, I think, quite in the same tone.”