Southey brought to Westminster an imagination stored with the marvels and the beauty of old romance. He left it skilled in the new sentiment of the time—a sentiment which found in Werther and Eloisa its dialect, high-pitched self-conscious, rhapsodical, and not wholly real. His bias for history was already marked before he entered the school; but his knowledge consisted of a few clusters of historical facts grouped around the subjects of various projected epics, and dotting at wide distances and almost at random the vast expanse of time. Now he made acquaintance with that book which, more than any other, displays the breadth, the variety, and the independence of the visible lives of nations. Gibbon’s _Decline and Fall_ leaves a reader cold who cares only to quicken his own inmost being by contact with what is most precious in man’s spiritual history; one chapter of Augustine’s _Confessions_, one sentence of the _Imitation_—each a live coal from off the altar—will be of more worth to such an one than all the mass and laboured majesty of Gibbon. But one who can gaze with a certain impersonal regard on the spectacle of the world will find the _Decline and Fall of the Roman Empire_, more than almost any other single book, replenish and dilate the mind. In it Southey viewed for the first time the sweep, the splendour, the coils, the mighty movement, of the stream of human affairs. Southey’s ambition on entering Westminster was to have the friendship of the youths who had acted in the last Westminster play, and whose names he had seen in the newspaper. Vain hope! for they, already preparing to tie their hair in tails, were looking onward to the great world, and had no glance to cast on the unnoted figures of the under-fourth. The new-comer, according to a custom of the school, was for a time effaced, ceasing to exist as an individual entity, and being known only as “shadow” of the senior boy chosen to be “substance” to him during his noviciate. Southey accepted his effacement the more willingly because George Strachey, his substance, had a good face and a kindly heart; unluckily—Strachey boarding at home—they were parted each night. A mild young aristocrat, joining little with the others, was head of the house; and Southey, unprotected by his chief, stood exposed to the tyranny of a fellow-boarder bigger and brawnier than himself, who would souse the ears of his sleeping victim with water, or on occasions let fly the porter-pot or the poker at his head. Aspiring beyond these sallies to a larger and freer style of humour, he attempted one day to hang Southey out of an upper window by the leg; the pleasantry was taken ill by the smaller boy, who offered an effectual resistance, and soon obtained his remove to another chamber. Southey’s mature judgment of boarding-school life was not, on the whole, favourable; yet to Westminster he owed two of his best and dearest possessions—the friendship of C. W. W. Wynn, whose generous