and painted windows in the cathedrals is excellent, especially that of Toledo and of Leon; but this art was undoubtedly learned from foreign workmen, and only became naturalized in Spain. Of carvings in wood and marble and ivory we have already sufficiently spoken. In textile fabrics and embroidery, especially in lace, Spain was formerly very rich. The mantillas of the ladies, the dresses of the sacred images, the copes of the clergy, gave full opportunity for the production of this fabric; but the chief effort is now directed to the manufacture of the best foreign laces, all of which are most successfully imitated by hand-workers in Valencia and Murcia, where they can be produced at a lower cost than is possible in colder and more northern climes. Everything in Spain, even the common use of colour and of flowers by the Andalusian peasants, shows a natural feeling for art; and its production is hindered more by indolence, and by the mischievous economical conditions of almost all Spanish industry, than by any want of talent in the native workman or artisan. Though, perhaps, there is no country in Europe in which music is more appreciated or practised than in Spain, it is singular that she has produced no really great master. She has many composers of "zarzuelas," a species of lighter opera; her traditional dance and ballad tunes are some of the most inspiriting possible; and her guitar playing is renowned, but more for the romantic sentiment of the words and the occasion on which it is used than for the music itself. Well-nigh the only name for which even Spaniards claim equality with the great European masters in serious music is that of Don Manuel Doyague, of Salamanca (1755-1842). His _Miserere_, _Te Deum_, and various _Masses_ are said to equal those of any master of his time. _Literature._