It is not necessary to repeat here what has been said above on the Spanish authors who wrote during the silver age of Latin literature, or to trace again the origin of the Spanish language. It is evident that all we can do is to give a very brief sketch of Spanish literature. This literature is, perhaps, the richest in Europe in ballads and romances, and these, which make one of its chief glories, are among its earliest monuments. While the "Chanson de Roland" and other "Chansons de Gestes" were being written in Northern France in the form of continuous epic poems, Spain was celebrating her hero--the Cid--in a series of ballads. These, if united, would tell almost the whole story of his life; but each could be sung or recited alone as a separate and complete poem. This form of verse continued for many ages to be the favourite literature of the common people, and attained a development in Spain beyond that which it did in any other land. For spontaneity, for movement, for grace of expression, for sudden turns from martial ardour to the most pathetic tenderness, the Spanish ballad is unrivalled. It embraces and handles with almost equal success the most varied subjects: war and chivalry and love, patriotism, wit, amusement, and religion, have all been treated of in these romances, and the collections of each kind would fill many volumes. The first prose works in the Spanish language seem to have been a translation of the Bible, under Alphonse X., and of two codes of law, the "Fuero Juzgo" and "Las Siete Partidas," in the middle of the thirteenth century. It seems to have been almost by accident that Alfonzo wrote in the dialect of Leon and Castile in preference to that of Galicia and Portugal. Had he chosen the latter, probably Portuguese would have become the language of the whole Peninsula. Under his reign, too, may have been commenced the first history written in Spanish, "La Gran Conquista de Ultramar," telling the story of the Crusades, with many romantic episodes. The next production that calls for remark is the epic of Alexander the Great, by J. L. Segura, of the latter part of the same century. This poem gives the name "Alexandrine" to all European verse written in the same metre. In the early part of the fourteenth century we have a collection of tales, with morals attached, called "El Conde Lucanor," by Don Juan Manuel, nephew of Alphonse X. (1282-1347); and Alfonso XI. continues the list of royal authors with a "Libro de la Monteria,", or treatise on hunting. The arch-priest of Hita, Juan Ruiz (1330-43), about the same time took up the strain of love and war in a romance of mingled prose and verse, entitled "Guerras Civiles de Granada." In the latter half of the fifteenth century we meet with a remarkable production, the tragi-comedy of Celestina, which, in its two-fold character of novel and of drama, has been the parent of a double offspring, both of the comedy and of the _picaresque_ novel of Spain.