No one who has seen the young King and Queen together believes this kind of thing, although it has been repeated in clericalist circles ever since the marriage. But, unfortunately, comparatively few of their subjects have the opportunity of seeing them, and during the last half-year of the Maura administration photographs and picture postcards of the Royal Family, which formerly were on sale everywhere, became noticeably absent. Throughout the three months that the press was censured it was almost impossible to find an illustrated paper containing any picture of the King, the Queen, the Queen Mother, the Infanta Maria Teresa, or the Royal children. During that time everything that could tend to recall the King and Queen to the minds of the people and increase their popularity was suppressed. My attention was first called to this state of affairs by finding that in one large town not a single picture postcard of King Alfonso could be bought. The shops had sold out their last year’s stock, and no new photographs of any kind had been issued since the war broke out. It would have been natural that portraits of the Queen should appear in connection with the War Fund initiated by her Majesty and taken up with enthusiasm all over the country. But no. A portrait and several pictures of the Marquesa de Squilache, who acted as honorary secretary, were published, showing that lady at work in her office, distributing money to applicants, &c. But I have not been able to discover that any such pictures appeared with the young Queen as the central figure. The Marquesa de Squilache is a philanthropist whose fame deservedly extends all over Spain, and the admirable organisation of the fund was certainly due in a great measure to her clear-headed and business-like methods. But she would be the first to acknowledge that the Queen, and not herself, should have been represented in the picture-papers as the head and front of this effort to alleviate the misery caused by the war. It is difficult to believe that the marked omission of her Majesty’s portrait in the illustrated papers during the clericalist Press-censorship was accidental, while at the same time a series of thirty-six postcards of Don Jaime of Bourbon in the Castle of Frohsdorf was being freely advertised in Madrid.