Spanish Arms and Armour: Being a Historical and Descriptive Account of the Royal Armoury of MadridCalvert, Albert Frederick
History
Spanish Arms and Armour: Being a Historical and Descriptive Account of the Royal Armoury of Madrid
Calvert, Albert Frederick
Arms and armor -- Spain; Real Armería de Madrid
We come now to the work of the great rivals of the Colmans--the Negrolis
of Milan. The suit A139 (plate 31) was made for the Emperor in 1539,
and is at once distinguished from the German suits by the bands crossing
the body horizontally instead of vertically. It was originally
blackened, so as to show up the gold and silver of the decoration.
The morion is beautifully decorated. Over the skull-piece, and parallel
with a beautiful laurelled comb, run two wide bands of gold damascening
that meet over the brow in a fantastic face in relief, surrounded by
acanthus leaves and volutes; the visor is also damascened. The borders
of the helmet are similarly enriched. In gold relief are the letters,
PHILIPPVS IACOBI ET FRATR NEGROLI FACIEBANT MDXXXIX. The cheek-pieces
are decorated with small lions’ heads.
The breast and backplates were adorned with images of the Virgin and St.
Barbara--the latter now missing. The pauldrons, coudes, and genouillères
are very tastefully embossed, and inlaid with lions’ heads, scrolls, and
beautiful foliations, the decoration showing up well on the plain
ground.
The helmet has a reinforcing piece or coif (A140) shaped like a serpent
with scales of gold, and with damascened rosettes--a fine piece of work.
Another fine specimen of Italian make, the artificer of which is
unknown, is the Foot Armour, A147. This was erroneously attributed at
one time to the Marques de Villafranca. It exhibits exquisite designs in
gold azziminia. “Its original style,” remarks the Conde de Valencia,
“partakes at once of the classic Pompeian and the Oriental, and does not
follow the _plateresco_, prevalent at that time; and the whole suit is
distinguished from the makes of Milan and Augsburg by uniting the
richness of parade armour with the smoothness and toughness required for
war.” Note the elegant plume-holder in the shape of an Imperial Eagle,
with the arms of Castile inlaid; and the light backplate, in the form of
a St. Andrew’s Cross, to be worn over a coat of mail.
The armour worn by Charles V. in the unfortunate expedition to Algiers
is shown under the numbers A149-A156. Many pieces are missing. The
pieces composing the first suit do not call for special description.
Jambs, with coverings of mail for the feet, are worn according to the
fashion common in Spain. As in the preceding suits of the same epoch,
the genouillères can hardly be considered as separate pieces, the
laminated cuisses being continued down to the jambs (plate 33).
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account