Florida -- History -- Revolution, 1775-1783 -- Fiction; Historical fiction; War stories
In the flowered drawing-room, the tall woman with the proud nose and
the secret mouth was embroidering upon catgut-gauze with a needle
tiny as a fairy's spear and the grey-eyed girl who was not like
Nausicaa was seated at the forte-piano, playing. She broke off as
they came in.
"I beg you will not cease your playing, Miss Gentian," said Andrew,
awkwardly, "I am devoted to the forte-piano," he added, feeling the
words were foolish as soon as they were out of his mouth.
"Then I shan't dare continue," said the girl carelessly. "My
strumming must sound like a rigadoon on a milkpan to the ears of such
a connoisseur--from New York--"
"Miss Gentian--I implore you," said Andrew, embarrassed.
"Oh, if you'll promise me no criticism, I'll play, sir--or sing
perhaps--'tis too hot for playing alone--the piano sounds like a
locust in August--heat--heat--heat--" she drummed it out on the keys,
impatiently, "But sing, sing, what shall I sing? Shall it be Charley
over the Water, father, to remind you of the Forty-Five--or let me
see--'Bobby Shaftoe,' for Mr. Beard--'Bobby Shaftoe's come from
sea--Silver buckles on his--shoon--" she hummed with gipsy
impertinence and Andrew winced as he saw her eyes fixed mockingly on
his shoe-buckles--"Come, fine ladies and gentlemen--what d'ye
lack--lack--"
"Sing 'Beauty Retire,' daughter," said her father quietly. His eyes
were intent upon hers and it seemed to Andrew as if he were
witnessing some obscure and inaudible struggle of wills between
them--a struggle watched by the tall woman in the chair with great
weariness of mind.
"That old thing? Oh, very well--I'm a dutiful daughter. You'll
pardon our rusticity Mr. Beard--we have none of your New York
novelties here in songs or ladies--" She struck a chord on the
forte-piano as if she hated it, and began to sing.
"Beauty retire--retire--" she sang,
"Retire--retire, thou dost my pity move
Believe my pity and then trust my love--"
Her voice was extraordinarily pure and moving. Andrew, listening,
thought of skeins of rock-crystal, flecked through and through with
tiny flakes of the softest gold--of a golden box where a crystal bird
beat and beat its wings in trammelled, scornful delight. Her face
had turned grave as she sang, and a little drowsy, as if some excess
of vitality came to her through the act of singing and suffused the
veins of her heart with a sleepy power. She was like a child now,
Andrew thought--a beautiful, daunting child--
Public-domain text, read in full here on John Shaqi.
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