Spanish PaintingBeruete y Moret, A. de (Aureliano)
History
Spanish Painting
Beruete y Moret, A. de (Aureliano)
Painting -- Spain -- History; Painting, Spanish
Anglada is, in our view, completely distinct from Sorolla and Zuloaga.
Enamoured of the charm of colour, his work has no connection with
schools or traditions. Aloof from every influence, he aspires to nothing
so much as rich colour-schemes and harmonies, and seeks inspiration in
night-bound gardens, brightly illuminated, in subjects which reflect
electric light, and in figures which appear all the more distinct as the
background is often the sea beneath the radiance of the Mediterranean
light. These unusual sources of inspiration appear strange at first
sight; but it is noticeable that they manifest on the part of the
painter always the same idea of seeking for rich colouring. We must
regard Anglada as one of the most remarkable and most original of modern
painters. It is a great pity that he was not represented at Burlington
House. His absence, like that of Sert, the great decorative painter,
Beltran, Miguel Nieto and others, was accounted for by the fact that
the pictures were received too late to be included in the Exhibition.
* * * * *
The salons set apart for modern painting at the London Exhibition seem
to us to have been disposed and arranged with care. There were shown in
the first of these rooms works by Sorolla, his disciple Benedito, one of
the most esteemed portrait painters in Madrid, Zaragoza, Moisés, Carlos
Vázquez, and some landscapes by Rusiñol. The second room was in complete
harmony with the first, and in it we observed the works of artists, some
of whom are still young, but nevertheless masters of strong propensity
and perfect equilibrium; the great composition by Gonzalo Bilbao, _The
Cigar-makers_ (Plate XXXVII.); the striking portraits of Chicharro and
Sotomayor; the unmistakably Spanish canvases of Mezquita and Rodriguez
Acosta; and the picturesque and suggestive note of the Valencian figures
by Pinazo Martinez.
The neighbouring room was dedicated to those who may be called painters
of character, for such was the exclusive note of all the works shown
there. It would not be easy to say who occupied the place of honour
here, Zuloaga, Romero de Torres, an artist of Cordova, who has tried to
create a type of female beauty famous throughout Spain, the brothers
Zubiaurre, peculiarly Basque in feeling, and now well known everywhere,
Salaverria, Ortiz Echagüe, Arrúe, Juan Luis y Arteta, a delicate and
emotional painter who has found on the Basque shores subjects for
pictures unusually simple, in which is displayed a delicacy of technical
expression together with the significance of an idea, inspired, like his
subjects, by a simple poetry.
Public-domain text, read in full here on John Shaqi.
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