Spanish PaintingBeruete y Moret, A. de (Aureliano)
History
Spanish Painting
Beruete y Moret, A. de (Aureliano)
Painting -- Spain -- History; Painting, Spanish
Andalusia, a region which has come in more recent times to be regarded
as the cradle of Spanish artists, produced at this time not a few
painters. The work, _Saint Michael_, of the master Bartolomé de
Cárdenas, which was exhibited at the Royal Academy, pertains to this
rich and flourishing period, which gave an impetus to the forces then
impelling all Spanish life toward the national union which came to pass
in the reign of the Catholic kings. Two new centres of activity arose at
this epoch, which greatly fostered the rise of Spanish civilisation and
favoured the development of pictorial art--two cities glorious and
historical in Spain--Toledo and Salamanca.
Side by side with this budding art--which was in a certain sense
inspired by the schools of the north, but nevertheless began to display
a national tendency--a few isolated artists, either by preference or
training, still retained the Italian style. We recall the _Santa
Catalina_ of Hernando Yáñez de la Almedina (Plate I.), shown at the
exhibition, a work which has not been sufficiently appreciated and must
be regarded as a beautiful example of that period.
Arising at the close of the epoch of national unity, the House of
Austria, in the person of its most exalted representative, the Emperor
Charles V, commenced to govern the destinies of Spain. The victorious
expansion of Spanish arms, both in the Old World and the New, during the
first half of the sixteenth century, had but little influence upon
artistic effort, and none of the Spanish painters of this period are
regarded as the equals of their Italian, Flemish, German or Dutch
contemporaries. And our artists, at a time when the entire national
fortunes were hazarded in campaign after campaign, had enough to do to
maintain an epoch of gestation, to comprehend the laws and trace the
spiritual current of the Renaissance which now dawned upon the world of
culture. This great movement failed also to take a national direction
with Spanish artists, and the few books and treatises on art printed in
Spain during this period are poor in conception and lacking in
information.
Public-domain text, read in full here on John Shaqi.
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