Film novelizations; Foster home care -- Fiction; Orphans -- Abuse of -- Fiction; Swamps -- Fiction
[Frontispiece: _Scene from Mary Pickford's Photoplay_. _Sparrows_.
"JEST FER THAT NONE OF YOU KIDS GET ANY SUPPER!"]
SPARROWS
NOVELIZED BY
MARIE COOLIDGE-RASK
ORIGINAL STORY BY
WINIFRED DUNN
ILLUSTRATED WITH SCENES
FROM THE PHOTOPLAY
STARRING
MARY PICKFORD
GROSSET & DUNLAP
PUBLISHERS NEW YORK
COPYRIGHT, 1926, BY
GROSSET & DUNLAP
Made in the United States of America
CONTENTS
CHAPTER
I A Cry for Help
II In the Home of the Monster
III Maria Finds a Companion
IV An Unequal Struggle
V Banishment
VI New Victims
VII Where Is Buddy?
VIII Mollie Makes a Discovery
IX A Reign of Terror
X Subjugation
XI Plotters
XII The Monster Comes
XIII What Happened to Splutters
XIV The Kidnapping
XV In The Watches of the Night
XVI The Awakening
XVII On The Trail
XVIII Stephen Gives a Clue
XIX Mollie at Bay
XX The Plight of the Sparrows
XXI Crossing the Bog
XXII Ransom Money
XXIII Pursued and Pursuers
XXIV New Terrors
XXV At the Cross-roads
XXVI The Pit of Death
XXVII Mollie in Command
XXVIII A Woman's Confession
XXIX Reunion
XXX In Perpetuity
SPARROWS
CHAPTER I
A CRY FOR HELP
"Fear ye not therefore, ye are of more value than many
sparrows."--Matt. x, 31
"On, lookit--lookit!"
"'Sh! Not so loud. Fat'll hear yo'."
"Lor' a mercy! Ain't hit slick."
"Take keer, Mollie. Hit's goin' ter ketch in thet thar tree."
"How y' s'pose God's goin' ter git holt of hit?"
"I, golly, He kin read thet printin' a mile away."
"Huh! He won't hev to. Hit's a goin' all the way. Mollie said so.
Hit's more'n two thousand miles from hyer to thar."
"To whar?"
"G'wan, Mollie, let 'er loose. Doan yo' callate hit's riz enough
now?"
Mollie's face, upturned to the blue sky, was pale and tense. From
wide, anxious eyes she watched the kite mount higher and higher over
the heads of the excited children. Head and shoulders above the
tallest she stood, arms outstretched, small, capable hands extended,
palms touching, after the manner of suppliants of all ages, and
slowly released from between work-worn fingers yard after yard of the
long, knotted string which, for the moment, anchored the heaven-bound
messenger to its petitioners on earth.
"'Sh!" she warned again, without changing her position nor shifting
her gaze from the fluttering kite soaring upward on the wings of the
soft breeze that was stirring. "Be quiet, now, all of yo'. I'm
goin' ter let go. I reckon hit's high enough. Yo' all mind the
pra'rs I learnt yo'. This kite's jest nachully flyin' straight up
ter God. When He gits hit, He'll shore do somethin'. Yo' all jest
hol' your mouths now an' watch hit go."
Public-domain text, read in full here on John Shaqi.
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