Sparrows: The Story of an Unprotected GirlNewte, Horace W. C. (Horace Wykeham Can)
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Sparrows: The Story of an Unprotected Girl
Newte, Horace W. C. (Horace Wykeham Can)
London (England) -- Fiction
Further down the road, a gaily coloured lamp caught her eye, the
lettering on which read "Gellybrand's Select Dancing Academy. Terms to
suit all pockets. Inquire within." Mavis was certain that the name of
which she was in search was none other than Poulter: she looked about
her and wondered if it were possible for such a down-at-heel
neighbourhood to support more than one dancing academy. The glow of a
light in an open doorway on the other side of the way next attracted
her. She crossed, to find this light came from a lamp which was held
aloft by a draped female statue standing just inside the door: beyond
the statue was another door, the upper part of which was of glass, the
lower of wood. Written upon the glass in staring gilt letters was the
name "Poulter's."
Mavis walked up the steps to the front door. Her heart sank as she
noticed that the plaster had worn away and was broken from various
parts of the house, which had a shabby and dilapidated appearance.
Mavis set going a bell, which could be heard faint-heartedly tinkling
in the distance; she employed the time that she was kept waiting in
examining the statue. This was as depressing as the house: its smile
was cracked in the middle; a rude boy had reddened the lady's nose; its
dress cried aloud for some kindly disposed person to give it a fresh
coat of paint. Presently, a drab of a little servant opened the inner
door.
"'Pectus?" said the girl, directly she caught sight of Mavis.
"I want to see Mr Poulter."
"Not a 'pectus?"
Mavis repeated her request.
"Come insoide. 'E's 'avin' 'is tea."
Mavis followed the drab along a passage: at the end of this was a door,
above which was inscribed "Ladies' Cloak Room."
Opening this, the drab said mechanically:
"Walk insoide. What nime?"
"Miss Keeves. I've come from Miss Meakin."
Mavis walked inside, to find herself in a smallish room, the walls of
which were decorated with rows of hooks, beneath each of which was a
number printed in large type. There were a cracked toilette glass, a
few rickety chairs, a heavy smell of stale toilet powder, and little
else. A few moments later, a little, shrivelled-up, elderly woman
walked into the room with a slight hobble. Mavis noticed her narrow,
stooping shoulders, which, although the weather was warm, were covered
by a shawl; her long upper lip; her snub nose; also that she wore her
right arm in a sling.
"Was you waiting to see Mr Poulter particular?" she asked.
"I was rather."
"'E's 'avin' 'is tea, and--and you know what these artists are at
meal-time," said the little woman confidentially.
"I'm in no hurry. I can easily wait," said Mavis.
"Was you come about 'privates'?" asked the little woman wistfully.
"Privates?"
"I mean private lessons. 'Poulter's' always calls 'em 'privates.'"
"I heard you were in want of an accompanist. I came to offer my
services."
"It won't be for long; my fingers is nearly healed of the chilblains."
"Anything is better than nothing," remarked Mavis.
Public-domain text, read in full here on John Shaqi.
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