Sparrows: The Story of an Unprotected GirlNewte, Horace W. C. (Horace Wykeham Can)
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Sparrows: The Story of an Unprotected Girl
Newte, Horace W. C. (Horace Wykeham Can)
London (England) -- Fiction
"Would you mind if I heard you play?"
"Not at all."
"My word might go some way with Mr Poulter. See?" said the little woman
confidentially.
"It's very good of you," remarked Mavis, who was beginning to like the
little, shrivelled-up old thing.
The woman with the chilblains led the way to a door in a corner of the
cloak-room, which Mavis had not noticed before. Mavis followed her down
an inclined, boarded-in gangway, decorated with coloured presentation
plates from long forgotten Christmas numbers of popular weeklies, to
the ballroom, which was a portable iron building erected in the back
garden of the academy. At the further end was a platform, which
supported a forlorn-looking piano.
"Be careful not to slip," said Mavis's conductor.
"Thank you, I won't," replied Mavis, who was not in the least danger of
losing her foothold.
"'E invented it."
"Invented what?"
"This floor wax. It's Poulter's patent," the little woman reverently
informed Mavis.
"He must be rather clever!"
"Rather clever! It's plain you've never met 'im."
Mavis sat down to the piano, but did not do herself justice over the
first waltz she played, owing to the faultiness of the instrument. As
with many other old pianos, the keys were small; also, the treble was
weak and three notes were broken in the bass.
"Try again!" said the little woman dubiously.
By this time, Mavis had mastered the piano's peculiarities; she played
her second waltz resonantly, rhythmically.
"I think you're up to 'Poulter's,'" said the little woman critically,
when Mavis had finished. "And what about terms?"
"What about them?" asked Mavis pleasantly.
"It's a great honour being connected with 'Poulter's,'" the little
woman hazarded.
"No doubt."
"And what with the undercutting and all, on the part of those who ought
to know better, it makes it 'ard to make both ends meet."
"I'm sure it does."
"But there! We'll leave it to Mr Poulter."
"That's the best thing to do."
"I'll see if Mr Poulter's finished 'is tea."
Mavis followed the woman across the ballroom, and back to the
cloak-room, where she was left alone for quite five minutes. Then the
little woman put her head into the room to say:
"Mr Poulter won't be many minutes now. 'E's come to the cake," at which
Mavis smiled as she said:
"I can wait any time."
Mavis already quite liked the odd little woman. She waited some minutes
longer, till at last her friend excitedly re-entered to say, in the
manner of one conveying information of much moment:
"Mr Poulter is reelly coming on purpose to see you."
Mavis nerved herself for the ordeal of meeting the dancing-master.
CHAPTER TEN
"POULTER'S"
Public-domain text, read in full here on John Shaqi.
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