Of course Carayanni finds it too slow and as we are finishing dinner he suggests that we go to a show. At one theater the Greeks are giving a performance for the benefit of their refugees and at another the Turks are giving a performance for the benefit of their refugees and as our party to-night is both Turkish and Greek we must not hurt the feelings of each other by going to either of these shows. Carayanni suggests adjourning to a certain “club” which is the rage of the moment and where plays and actors are so--“unreserved,” that the public is required to wear masks. Naturally I object to this suggestion: my wife and I are, so to speak, provincials from Stamboul and our blushes would glow even through our masks. My wife is so shocked that Carayanni is sorry to have ever suggested it and he proposes hastily to go to see Scheherazade which is played by some of the former actors of the imperial ballet corps of Petrograd. We all decide in favour of this and we adjourn to the theater. The play has already started. Here again there are only a very few Turks in the audience and their presence seems to me as incongruous as mine must seem to them. It is queer to see the place crowded with foreigners when but a few years ago the crowds in theaters were almost exclusively Turkish. I remember that one of the last times I came to this very theater it was to assist at a gala performance given by the Municipality of Constantinople in honour of the Young Turkish leaders who had just then so successfully accomplished their democratic revolution. The place was then covered with Turkish flags and humming with Turkish enthusiasm. To-day it is almost entirely Russian. Really, the dream of Peter the Great of making a Russian city of Constantinople has partly come true, but it has turned into a nightmare. I whisper this to my wife and, unknown to Carayanni, we both express the wish that any one who might nourish the ambition of taking Constantinople away from the Turks might share a plight similar to that of the Russians. It is not generous, I admit it, but if we were not Turks and formed the same wish for the enemies of our country, people would call us patriots. The performance is pretty good but it drags on. Scheherazade is a spectacular play and neither the theater nor its staging are adapted to such plays. The actors might have been in the Imperial Ballet of Petrograd but they certainly were not principals. So we decide to leave before the performance is over. This time Carayanni insists that we go to a regular café chantant. He will take us to the best one; it is an open-air affair but the weather is really not so cool to-night as to make it disagreeable. We have to take a carriage as it is at some distance, on the hills of Shishli.