Special Method in the Reading of Complete English Classics: In the Grades of the Common SchoolMcMurry, Charles A. (Charles Alexander)
General
Special Method in the Reading of Complete English Classics: In the Grades of the Common School
McMurry, Charles A. (Charles Alexander)
American literature -- Study and teaching; English literature -- Study and teaching
There is a strong comfort in the idea that in the preparation of a
masterpiece for a reading class the teacher may be dealing with a unity
of thought in a variety of relations that makes the study a
comprehensive culture-product both to herself and to the children. To
become a student of "Hiawatha" as a whole, and in its relations to
Indian life and tradition, early aboriginal history, and Longfellow's
connection with the same, is to throw a deep glance into history and
anthropology, and to recognize literature as the permanent form of
expressing their spirit. There are a good many side-lights that a
teacher needs to get from history and other literature, and from the
author's life, in order to see a literary masterpiece in its true
setting. It is the part of the poet to make his work intensely real and
ideal, the two elements that appeal with trenchant force to children.
The teacher needs not only to see the graphic pictures drawn by the
artist, but to gather about these central points of view other
collateral, explanatory facts that give a deeper setting to the picture.
Fortunately, such study as this is not burdensome. There is a
joyousness and sparkle to it that can relieve many an hour of tedium.
Literature in its best forms is recreation, and brings an infusion of
spiritual energy. We should not allow ourselves to confuse it with those
more humdrum forms of school employment, like spelling, figuring,
reading in the formal sense, grammar, writing, etc. Literature is the
spiritual side of school effort, the uplands of thought, where gushing
springs well from the roots and shade of overarching trees. There is
jollity and music, beauty and grandeur, the freshness of cool breezes
and of mountain scenery, in such profusion as to satisfy the exuberance
of youthful spirit, and to infuse new energy into old and tired natures.
If the teacher can only get out of the narrow streets of the town and
from between the dead walls of the schoolroom, up among the meadows and
groves and brooks, in company with Bryant or Longfellow or Whittier, if
she can only take a draught of these spirit-waters before walking into
the schoolroom, her thought and conduct will be tempered into a fit
instrument of culture.
Public-domain text, read in full here on John Shaqi.
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