Special talents and defects : $b Their significance for educationHollingworth, Leta Stetter
Science
Special talents and defects : $b Their significance for education
Hollingworth, Leta Stetter
Educational psychology; Educational tests and measurements; Exceptional children
Under the mechanics of the process fall the _sensory_, _motor_, and to a
great extent the _perceptual_, elements in reading.
_The sensory elements_ include the participation of eye, ear, and
muscles as sense organs, furnishing respectively the visual, auditory,
and kinæsthetic contributions to the total function. In the case of the
blind, tactual sensations replace the visual, and in the deaf, the
visual replace the auditory. Sensory impairment, that is, impairment of
eye, ear, or muscle as an organ, may prevent an intelligent child from
learning to read. Examination of the special senses is the first step
dictated by common sense and scientific procedure, when an intelligent
child does not learn to read. In this way it has happened historically
that the first cases of special disability in reading and spelling among
school children have been reported by ophthalmologists, to whom they
were taken for examination of the eyes. Parents naturally sought the
expert who knows eyes in such cases, for to one who has not studied the
psychology of reading, it appears that a person “reads with his eyes”
only.
The _visual defects_ which may most commonly interfere with the mastery
of the mechanics of reading are myopia, hyperopia, astigmatism,
cataract, muscle-weakness, diplopia, and anomalies of the retina.
Surveys of school children by competent oculists have shown that
considerable numbers suffer from eye-defects sufficient to cause
difficulty.
_Deafness_ obviously may constitute an interference, since the correct
sound of the word is essential to reading. Not so obvious is the rôle of
the _kinæsthetic sensations_, but we are led to believe that their part
is important through the studies of Fernald, later to be reported here.
Under the motor elements involved, we have to consider _articulation_,
_pronunciation_, _eye-movements_, and the _coördination of arm, hand,
and fingers_ in writing words. It is hard for an expert reader, like an
educated adult, to realize without first-hand study of the facts, to
what extent these elements originally entered into his learning. The
inexpert reader tends to retain lip-movements, and, indeed, movements of
the whole apparatus of articulation, in silent reading.
Perception of a stimulus may be defined for our purposes as seeing,
hearing, or otherwise interpreting it in a certain way. Perception is
habit, learned just as other habits are learned. We perceive the spoken
words “home again” as such, because we learned to do so. One who has not
learned, will not perceive two words, but only a jumble of articulate
sound. In reading, the _perceptual elements_ include the formulation of
habits of responding to parts, and to groups of words, as such. Many
investigations have been made of the perceptual elements in the
mechanics of reading within the past twenty years.
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