"I require and desire no thanks at all. It has given me great pleasure to be here to open the proceedings, and I cordially thank all the gentlemen who have so kindly supported me on this occasion. I beg again to assure you that I take a very deep interest in this question--that of education, and that I shall be always ready to give my hearty co-operation on a subject of this important bearing." ROYAL GENERAL THEATRICAL FUND. _May 16th, 1870._ This Fund grants relief in annuities to members of the dramatic profession, to singers and dancers, and also to the widows and orphans of members. At present, upwards of £2000 annually is paid to fifty annuitants. The invested capital is about £12,000. The institution has the merit of not being a mere charity, but is largely supported by the actors themselves. In this respect it holds a more honourable position than even the Royal Literary Fund; no attempt to establish a guild for mutual help among men of letters having, as yet, been successful. The Theatrical Fund was established as long ago as 1839 by a few actors, and was incorporated by Royal charter in 1853. Part of the income comes from subscribers to the fund; but it is necessary also to appeal to the public, in the method common to all charities; the resources of the profession not being sufficient to maintain a mutual insurance society on financial unaided by benevolent principles. His Royal Highness the Prince of Wales presided at the 25th anniversary festival of the Fund at St. James's Hall on the 16th of May, 1870. There was a large attendance, including the leading members of the profession, and some zealous supporters of the drama, among whom were the Nawab Nazim of Bengal, with his two sons, the Princes Ali and Suleiman. Grace having been sung after dinner the Prince gave "The Health of Her Majesty the Queen," the patroness of this institution, and an annual subscriber to its funds. The Duke of Sutherland, in proposing the health of "The Prince and Princess of Wales, and other members of the Royal Family," adverted to the constant support given by their Royal Highnesses to the drama. The Prince of Wales, in returning thanks, said "he rejoiced that ever since his childhood he had had opportunities of going to the theatre and witnessing some of the most excellent plays, and appreciating the performances of some of the best actors of the present day, many of whom he saw on either side and before him on this occasion. The few remarks he had to make regarding this most excellent fund must be reserved till a later period of the evening, and therefore he would not then detain the company; but he must observe that not only had the Princess and himself derived considerable amusement from what they had witnessed at the theatres, but they had given their patronage to the drama because it was their wish to encourage a noble profession."