Spirit of Chambers's Journal : $b Original tales, essays, and sketches, selected from that workChambers, Robert
General
Spirit of Chambers's Journal : $b Original tales, essays, and sketches, selected from that work
Chambers, Robert
English literature -- Scottish authors
Henry Bruntfield, the third and last surviving son, had all along been
the favourite of his mother. Though apparently cast in a softer mould
than his two elder brothers, and bearing all the marks of a gentler
and more amiable disposition, he in reality cherished the hope of
avenging his father’s death more deeply in the recesses of his heart,
and longed more ardently to accomplish that deed than any of his
brothers. His mind, naturally susceptible of the softest and tenderest
impressions, had contracted the enthusiasm of his mother’s wish in its
strongest shape; as the fairest garments are capable of the deepest
stain. The intelligence, which reached him in France, of the death of
his brothers, instead of bringing to his heart the alarm and horror
which might have been expected, only braced him to the adventure which
he now knew to be before him. From this period, he forsook the elegant
learning which he had heretofore delighted to cultivate. His nights
were spent in poring over the memoirs of distinguished knights—his days
were consumed in the tilt-yard of the sword-player. In due time he
entered the French army, in order to add to mere science that practical
hardihood, the want of which he conceived to be the cause of the death
of his brothers. Though the sun of chivalry was now declining far
in the occident, it was not yet altogether set: Montmorency was but
just dead; Bayard was still alive—Bayard, the knight of all others
who has merited the motto, “_sans peur et sans reproche_.” Of the
lives and actions of such men, Henry Bruntfield was a devout admirer
and imitator. No young knight kept a firmer seat upon his horse—none
complained less of the severities of campaigning—none cherished lady’s
love with a fonder, purer, or more devout sensation. On first being
introduced at the court of Henry the Third, he had signalised, as a
matter of course, Catherine Moubray, the disinherited niece of his
father’s murderer, who had been educated in a French convent by her
other relatives, and was now provided for in the household of the
queen. The connection of this young lady with the tale of his own
family, and the circumstance of her being a sufferer in common with
himself by the wickedness of one individual, would have been enough
to create a deep interest respecting her in his breast. But when, in
addition to these circumstances, we consider that she was beautiful,
was highly accomplished, and, in many other respects, qualified to
engage his affections, we can scarcely be surprised that _that_ was
the result of their acquaintance. Upon one point alone did these
two interesting persons ever think differently. Catherine, though
inspired by her friends from infancy with an entire hatred of her
cruel relative, contemplated, with fear and aversion, the prospect
of her lover being placed against him in deadly combat, and did all
in her power to dissuade him from his purpose. Love, however, was of
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