Spirit of Chambers's Journal : $b Original tales, essays, and sketches, selected from that workChambers, Robert
General
Spirit of Chambers's Journal : $b Original tales, essays, and sketches, selected from that work
Chambers, Robert
English literature -- Scottish authors
similar nonsense succeeded, during which the representative of the
fair Lydia could not help feeling rather more emotion at hearing the
ardent addresses of Strephon than was strictly consistent with her
part. At the last it was her duty to rise and walk softly away from her
swain, declaring herself utterly insensible to both his praises and his
passion, and her resolution never again to see or speak to him. This
she did in admirable style, though, perhaps, rather with the dignified
gait and sweeping majesty of tragedy-queen, than with any thing like
the pettish or sullen strut of a disdainful rustic; meanwhile Strephon
was supposed to be left inconsolable. Her ladyship continued to
support her assumed character for a few yards, till a turn of the walk
concealed her from Master Richard; when, resuming her natural manner,
she turned back, with sparkling eyes, in order to ask his opinion
of her performances; and it was with some confusion, and no little
surprise, that on bursting again into his sight, she discovered that
Richard had not yet thrown off his character. He was standing still,
as she had left him, fixed immovably upon the spot, in an attitude
expressive of sorrow for her departure, and bending forwards as if
imploring her return. It was the expression of his face that astonished
her most; for it was not at all an expression appropriate to either his
own character or to that which he had assumed. It was an expression of
earnest and impassioned admiration; his whole soul seemed thrown into
his face, which was directed towards her, or rather the place where she
had disappeared; and his eyes were projected in the same direction,
with such a look as that perhaps of an enraptured saint of old at
the moment when a divinity parted from his presence. This lasted,
however, but for a moment; for scarcely had that minute space of time
elapsed, before Richard, startled from his reverie by Lady Jean’s
sudden return, dismissed from his face all trace of any extraordinary
expression, and stood before her (endeavouring to appear) just what he
was, her ladyship’s respectful servant and teacher. Nevertheless, this
transformation did not take place so quickly as to prevent her ladyship
from observing the present expression, nor was it accomplished with
such address as to leave her room for passing it over as unobserved.
She was surprised—she hesitated—she seemed, in spite of herself,
conscious of something awkward—and finally she blushed slightly.
Richard caught the contagion of her confusion in a double degree; and
Lady Jean, again, became more confused on observing that he was aware
of her confusion. Richard was the first to recover himself and speak.
He made some remarks upon her singing and her acting—not, however,
upon her admirable performance of the latter part of the drama; this
encouraged her also to speak, and both soon became somewhat composed.
Shortly afterwards they returned to the house; but from that moment
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account