Spirit Slate Writing and Kindred Phenomena — John Shaqi
Spirit Slate Writing and Kindred PhenomenaSoo, Chung Ling
Philosophy
Spirit Slate Writing and Kindred Phenomena
Soo, Chung Ling
Magic tricks; Spiritualism
We now come to another method of using the single slate. The
medium takes the slate and places it on the table and requests the
spectator to write a question on a piece of paper. He, the medium,
gains knowledge of the contents of the paper in various ways; one
is by using a pad of paper which contains underneath the second
or third layer of paper a carbon sheet made of wax and lampblack.
Whatever is written on the first sheet of paper will be transferred
or copied by means of the carbon paper to the sheet underneath it.
Another way is by requesting a person to fold the paper and hold
it against his head, and, under the pretense of showing the person
how to hold it, exchange it for a paper of his own folded in like
manner. This exchanged paper is then opened and read by the medium
while his hand is below the level of the table top, and while he
is holding a conversation with the auditor. After it is read, the
paper is again folded and kept in the performer’s lap until needed.
As he now knows the contents of the paper, he can frame in his
mind a suitable answer. He remarks: “I will ask the spirits first
to give you a decided answer, through me as an independent trance
slate writing medium, whether they will answer your question during
this sitting.” So the medium takes a pencil in hand and writes on
one side of the slate, apparently under spirit control, and then on
the other side. The message is read, and it says the conditions are
very favorable, and no doubt, if the skeptic will place the utmost
confidence in the medium, there will be satisfactory results. After
the slate has been shown with both sides covered with writing, it
is thoroughly cleaned and placed on the table. The medium now picks
up the original paper from his lap and asks the person to give him
the paper he is holding. This the medium apparently places under
the slate; however, he really holds this one back and introduces
the one he has had in his hand, which is the one originally written
upon. He has now his own paper in his hand, and the one with the
question is under the slate. On the slate being turned over in a
short time, it is covered with writing, forming a sensible reply to
the question on the paper, which is now opened and read to compare
it with the answer. All that remains to be explained is how the
writing on the slate appeared there. The false flap is again used,
but in a directly opposite manner to which it has been employed
heretofore. One side of this flap is covered with a portion of the
writing that the medium first wrote under spirit control. Let us
say the first half supposed to have been written on the one side
of the slate, and which he afterward reads off in connection with
that written on the last or second side of the slate. What he
really wrote on the first half of the slate was a correct answer
to the question, and after he turns the slate over to write on
the opposite side he slips the false flap over the answer on the
slate.
Public-domain text, read in full here on John Shaqi.
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